Dynamic contrast
The dynamic image contrast provided by the projector.
Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.
By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.
Colour rendering
The number of individual colour shades that the projector is capable of displaying.
The minimum indicator for modern projection technology is actually 16 million colours (more precisely, 16.7 million is a standard number associated with the features of digital image processing). In the most advanced models, this value can exceed 1 billion. However, two nuances should be taken into account here: firstly, the human eye is able to recognize only about 10 million colour shades, and secondly, not a single modern image output device (projectors, monitors, etc.) cannot cover the entire spectrum of colours visible to the human eye. Therefore, impressive colour performance is more of a marketing ploy than a real indicator of image quality, and in fact it makes sense to pay attention to other characteristics — primarily brightness and contrast (see above), as well as specific data like a colour gamut chart.
Image format support
Image formats supported by the projector.
In this case, format means the aspect ratio of the image. The general rule in this case is that the projector must support the same format in which the original content is recorded. Otherwise, the image will either be stretched in height or width, or with black stripes on the sides or top-bottom. Specifically, the formats can be divided into three main categories:
— Traditional, or
rectangular. Classic formats in which the height of the picture is not much less than the width. The most popular options are 4:3, widely used in analogue TV, and 5:4, common in computer technology. Traditional formats are well suited for presentations, working with documents and graphics, and other similar tasks.
—
Widescreen — formats in which the frame width is significantly (more than 1.5 times) greater than the height. The most popular of these standards are 16:9 and 16:10. These aspect ratios are well suited for games and movies; in particular, most high-definition content (HD 720p and above) is recorded in widescreen format.
—
Extra wide. The formats are even wider than the widescreen ones described above — for example, 21:9. Mainly used in cinematography.
It is worth noting that many modern projectors are able to work with several types of formats at once — for example, with classi
...c 4:3 and wide-angle 16:9.Throw distance, min
The closest distance to the screen that the projector can be used on. Typically, this is the minimum distance at which the image from the projector remains in focus.
This parameter is especially important if the device is to be placed at a small distance from the screen (for example, in a cramped room). Some modern projectors are able to work normally at a distance of 10 – 20 cm. Also note that the throw distances are determined primarily by the lens, and if the initial range of these distances does not suit you, perhaps the situation can be solved by replacing the optics.
Throw distance, max
The farthest distance from the screen that the projector can be used on. This is the maximum distance at which the image remains in focus and maintains acceptable brightness — at least enough for viewing in a darkened room on a high-quality screen.
It is necessary to choose according to this parameter taking into account the expected operating conditions and the distances to be dealt with. At the same time, it's ok to have a certain margin for the maximum distance — since, as already mentioned, it is usually indicated for an perfect screen and a darkened room, and such conditions are not always available. Also note that although the throw distances depend on the lens, not every projector with an interchangeable lens allows the installation of more "long-range" optics than the standard one — the device may simply not have enough brightness for an increased distance.
Throw ratio
The projector's throw distance is vital in determining what size projection screen to use and how far away it should be from the projector. Most projectors have a variable throw ratio. In the extreme positions, these are wide-angle mode (smallest value) and telephoto lens mode (largest value). Knowing these values, you will be able to determine the range of throw distances within which the projector must be placed in order for the projected image to match the specified dimensions of the projection screen.
According to these values, you need to check or set the optical zoom. We divide the larger value by the smaller value, and we get a figure, for example 1.33-2.16: 1.
If we want to calculate whether this projector is suitable for a certain image size, we do this: 1.33*3 (image width)=the distance at which the projector should hang.
USB 2.0
The number of USB 2.0 ports provided by the projector.
Do not confuse these connectors with USB slave (see "Management ports") — in this case we are talking about
USB ports for various peripherals. Most often, these ports are used for direct playback of content from flash drives and other storages (for example, external HDDs). At the same time, we note that video viewing is not available in some projectors (only photos), in others a very limited set of formats may be supported. However, a direct connection is often more convenient than viewing through a computer or other device. The USB ports can also be used for other purposes, such as updating firmware, transferring files between a flash drive and the projector's built-in storage, or even for keyboards/mouses (in Android devices, see above).
The USB 2.0 standard itself is considered obsolete, but it is quite enough for projectors, and newer peripherals are fully compatible with such connectors. At the same time, you rarely have to connect more than one external device to the projector at a time, so there are few models with more than one USB 2.0.
Noise level (nominal)
The maximum noise level generated by the projector.
In most models, the main source of noise is the cooling system — it often uses fans to efficiently remove the heat generated by the lamp. Of course, the lower the noise level, the more convenient the projector is to use, the less inconvenience it causes, and the better the sound accompaniment of the “picture” is heard (if it is provided at all). On the other hand, as the size and power increase, the noise level also inevitably increases, and measures to reduce it significantly affect the cost of the projector.
Portable models are the
quietest (see "Main purpose") — most of them do not have active cooling and practically do not make noise, except for control keys clicking and other similar sounds. Therefore, this indicator for such projectors may not be indicated at all. The most "loud" are
professional projectors — in them the noise level can reach 50 dB (human speech level at medium volume).
Noise level (energy-saving / quiet)
The noise level in the ECO mode is significantly reduced, due to the reduction in heat generation. The active cooling system (fan) slows down, thereby significantly reducing noise. Usually, in economy mode, the noise threshold does not exceed 30-40 dB, depending on the model of the projector.
