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Comparison Sony WH-XB900N vs Sony WH-1000XM3

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Sony WH-XB900N
Sony WH-1000XM3
Sony WH-XB900NSony WH-1000XM3
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from 23 440 ₴
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Main
Noise reduction. Support for all popular audio codecs. NFC. Combined connection. Touch control panel.
Active noise cancellation is provided by the HD Noise-Canceling Processor QN1. Support for aptX and LDAC codecs. Touch control. Special application Sony Headphones Connect App for connecting to a smartphone with a lot of settings.
Connection and design
Design
overhead, closed
full size Over-Ear
foldable
swiveling earcups
overhead, closed
full size Over-Ear
foldable
swiveling earcups
Microphonebuilt into the bodybuilt into the body
Connection typecombinedcombined
Connection
mini-Jack (3.5 mm)
Bluetooth v 4.2
mini-Jack (3.5 mm)
Bluetooth v 4.2
PlugL-shapedL-shaped
Cable supplysingle-sidedsingle-sided
Cable length1.2 m1.5 m
Range10 m10 m
Cable typeroundround
Detachable cable
Specs
Hi-Res Audio
Impedance50 Ohm47 Ohm
Frequency range20 – 20000 Hz4 – 40000 Hz
Sensitivity101 dB104 dB
Speaker size40 mm40 mm
Emitter typedynamicdynamic
Microphone specs
Microphone noise cancelingENCENC
Features
Volume control
Built-in amplifier
Noise cancellationANCANC
Transparent mode
NFC
Codec support
aptX HD
AAC
LDAC
aptX HD
AAC
LDAC
Power supply
Power sourcebatterybattery
Charging time7 h
Operating time (music)30 h30 h
Operating time (no noise canceling)35 h38 h
Charging portUSB CUSB C
General
Touch control
Weight254 g255 g
In box
case
additional cable
 
sheath
 
airplane adapter
Color
Added to E-Catalogmay 2019september 2018

Cable length

The length of the cable supplied with the headphones with the appropriate connectivity.

The optimal cable length depends on the planned format of the "ears". So, for pocket gadgets, 1 metre or less is often enough, for a computer it is already desirable to have a wire for 1 – 2 m, and preferably 2 – 3 m. And models with a longer cable length — 3 – 5 m or even more — are mainly designed for specific tasks, such as connecting to a TV or using in recording studios.

Recall that in some models the cable is removable (see below) and can be replaced if necessary with a longer or shorter one. Also note that there are extension cables that allow you to increase the length of the main wire; such a cable may even be included in the delivery, this point (and the length of the additional cable) is usually specified in the notes.

Hi-Res Audio

Headphone support for Hi-Res Audio. The corresponding format is designed to provide a sound close to that recorded in the studio. Hi-Res Audio refers to a digital signal with parameters from 96 kHz / 24 bits, and for analog technology, the requirement for an extended frequency response is set from 40 kHz. Audio tracks in this format sound as close as possible to the original ideas of the authors of the compositions. The Hi-Res license marks premium headphones for avid audiophiles.

Impedance

Impedance refers to the headphone's nominal resistance to AC current, such as an audio signal.

Other things being equal, a higher impedance reduces distortion, but requires a more powerful amplifier — otherwise the headphones simply will not be able to produce sufficient volume. Thus, the choice of resistance depends primarily on which signal source you plan to connect the "ears". So, for a portable gadget (smartphone, pocket player), an indicator of 16 ohms or less is considered optimal, 17 – 32 ohms is not bad. Higher values — 33 – 64 ohms and 65 – 96 ohms — will require quite powerful amplifiers, like those used in computers and televisions. And models with a resistance of 96 – 250 ohms and above are designed mainly for Hi-End audio equipment and professional use; for such cases, detailed recommendations for selection can be found in special sources.

Frequency range

The range of audio frequencies that headphones can reproduce.

The wider this range — the more fully the headphones reproduce the spectrum of sound frequencies, the lower the likelihood that too low or too high frequencies will be inaccessible. However, some nuances should be taken into account here. First of all, we recall that the range of perception of the human ear is on average from 16 Hz to 22 kHz, and for the full picture it is enough that the headphones cover this range. However, modern models can noticeably go beyond these limits: in many devices, the lower threshold does not exceed 15 Hz, or even 10 Hz, and the upper limit can reach 25 kHz, 30 kHz, and even more. Such extensive ranges in themselves do not provide practical advantages, but they usually indicate a high class of headphones, and sometimes they are only given for promotional purposes.

The second important point is that an extensive frequency range in itself is not a guarantee of good sound: the sound quality also depends on a number of parameters, primarily the frequency response of the headphones.

Sensitivity

Rated headphone sensitivity. Technically, this is the volume at which they sound when a certain standard signal from the amplifier is connected to them. Thus, sensitivity is one of the parameters that determine the overall volume of the headphones: the higher it is, the louder the sound will be with the same input signal level and other things being equal. However, we must not forget that the volume level also depends on the resistance (impedance, see above); moreover, it is worth choosing “ears” for a specific device first by impedance, and only then by sensitivity. In this case, one parameter can be compensated for by another: for example, a model with high resistance and high sensitivity can work even on a relatively weak amplifier.

As for specific figures, headphones with indicators of 100 dB or less are designed mainly for use in a quiet environment (in some similar models, the sensitivity does not exceed 90 dB). For use on the street, in transport and other similar conditions, it is desirable to have more sensitive headphones — about 101 – 105 dB, or even 110 dB. And in some models, this figure can reach 116 – 120 dB. and even more.

It is also worth noting that this parameter is relevant only for a wired connection according to the analogue standard — for example, via...a 3.5 mm mini-jack. When using digital interfaces like USB and wireless channels like Bluetooth, the sound is processed in the built-in headphone converter, and if you plan to mainly use this kind of application, you can not pay much attention to sensitivity.

Built-in amplifier

The presence of a built-in power amplifier in the headphones.

The main idea of this function is to remove some of the load from the amplifier used in the signal source. This helps to reduce distortion and improve sound quality. In addition, the headphone amplifier may provide additional tools for adjusting the sound — for example, an equalizer with a set of presets. On the other hand, these headphones are expensive, and the amplifier requires a power source (although many models can work without power — in the format of ordinary headphones). In addition, the described advantages are relevant mainly for high-end equipment, and even there they are not required so often. Therefore, there are relatively few headphones with a built-in amplifier, and almost all of them belong to the premium class.

Charging time

The time required to fully charge the battery in properly powered headphones (see above).

In this case, we mean the battery charging time from 0 to 100% when using a standard charger (or a third-party charger with identical characteristics). Accordingly, in fact, this indicator may differ from the claimed one, depending on the specifics of the situation. However, in general, it is quite possible to evaluate different models and compare them with each other: headphones with a shorter claimed charging time will in fact charge faster (ceteris paribus).

Also note that an increase in battery capacity (and headphone battery life) inevitably implies an increase in charging time. To compensate for this moment, special fast charging technologies can be used — however, they affect the cost and require the use of specialized charger.

Operating time (no noise canceling)

How long does the active noise canceling headphones (see above) last on a single battery charge (or a set of batteries) when noise canceling is not used.

This function is quite “gluttonous” in terms of battery consumption, up to half of the total energy consumed by the headphones can go to its work. Thus, models with noise reduction can indicate both overall battery life (see "Operating time"), and battery life with the noise reduction turned off.

Touch control

This feature means that the controls in the headphones are not traditional buttons that you need to press, but sensors that are triggered by touch.

Touch control is somewhat more expensive than push-button control, but it has a number of advantages over it. Firstly, it gives the headphones a neat and technological appearance, with a minimum of protruding parts. Secondly, due to the absence of moving parts, the sensors are more reliable and compact. Thirdly, it is purely physically more convenient to use them, especially with the small size of the headphones. These moments are especially relevant for the "ears" of the true wireless format (see "Type of cable"), so it is in them that touch control is most often found. However, there are exceptions to this rule. Also note that the difference in price between buttons and sensors is often almost imperceptible compared to the cost of headphones in general.
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