We have selected 5 guitar combo amplifiers with a power of 25 - 50 W, among which you are sure to choose the option that best suits your requirements. The selection includes transistor and digital modeling models with basic or advanced effects, line-in, headphone and footswitch jacks. Separate combos are distinguished by the presence of several speakers, instrument and microphone inputs, a display, and even autonomous power supply.

A complete list of combo amplifiers for electric guitars presented in our catalog can be found at the link.

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Insert connection, built-in tuner, good tone on an overloaded channel, 3-band equalizer, reverb, price.
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What British rock-raised guitarist hasn't dreamed of playing in Orange? The English company became famous back in the 70s of the last century, when it sounded the concerts of Led Zeppelin, Black Sabbath, Status Quo and other bands of the legendary London party. Today, anyone can touch the classics by purchasing the Crush 35RT, a transistor combo amplifier for rehearsals and chamber performances.

The combo is made in the brand's signature colors - an orange body with a vinyl woven embossing, a beige fabric grill with a company logo and an emblem, black protective corners, a carrying handle on top, and behind it is a control box. In general, everything is predictable, but the location of the power button caused some bewilderment. Instead of the settings panel, the manufacturer for some reason placed it on the back wall in the center. Minor, but still an inconvenience.

The amplifier is very easy to set up. There are two channels, clean and dirty (that's what it's called "dirty"), 3-band EQ, reverb and gain. Of the connectors: foot controller jack, instrument input, AUX 3.5 mm, headphone output with speaker emulation. The bonuses include the ability to connect to the "gap" and the built-in tuner, by the way, is quite accurate.

Juicy overdrive with rich sustain is Orange's hallmark. It was for this sound that Led Zeppelin leader Jimmy Page fell in love with them. The founder of the company, Cliff Cooper, was a bass player, so he did not skimp on the low frequencies in the sound of his amplifiers.

The custom 10-inch Crush 35RT speaker, although not too loud, sounds assertive and full-bodied, almost like a tube! Tight lows pair perfectly with vintage highs, producing an incredibly rich and crisp sound with any amount of overdrive, from Clean to classic crunch to metallic high gain distortion. And the Analog-Dry-Through reverb unit ensures that the original sound remains intact, regardless of the effect level.

If you are still not convinced by our story or the look of the Orange Crush 35RT, just listen to how it sounds and you will definitely want to buy it.

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Light weight, open body, 12 effects, price.
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Fender is not only known for its excellent electric and bass guitars. Its Champion 40 modeling combo amplifier is without exaggeration one of the most popular and sought after in the world. It has everything a guitarist needs for rehearsals, recording and club performances, and genre versatility leaves no chance for most competitors.

The amplifier is made in a classic rectangular form factor, and for the convenience of the musician has a beveled control panel in the upper front of the case. 19 mm thick MDF walls, metal grille and corners reliably protect the speaker and electronics from accidental bumps and falls, and the relatively light weight of 8.6 kg and a comfortable handle make it easy to transport.

At the back, the speaker is partially open, which not only has a positive effect on the sound characteristics, but also allows you to conveniently place cables and other accessories inside the case. In general, everything in the Champion 40 is done very soundly and with an emphasis on frequent use.

The transistor model sounds quite clean and open. A 12-inch 40W driver can easily handle small halls, and an abundance of settings allows you to get a wide variety of sound variations. For those who don't have much or a lot of volume, you can consider other models of the Champion 20 or Champion 100 line.

On a clean channel, you'll get a classic Fender Twin Reverb sound. But setting the second channel will give the guitar truly enormous opportunities in almost any style, from country to heavy, and Tweed, Blackface, British and Metal amplifier emulations and a set of 12 effects, from classic overdrive to several types of Delay, will help in this.

You can switch between channels on the panel or using the Footswitch pedal, a connector is provided for it, but the pedal itself is not included. There is also an AUX, a 3.5 mm headphone output and one instrument input.

With all the desire to find the disadvantages of the Champion 40, we did not find them. Yes, this is certainly not a lamp, but it is unlikely that you will find something better with the same characteristics for only $250.

The Fender Champion 40 is a must-have for those who love true Fender sound and buy a combo with a long-term in mind.

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100 presets, Bluetooth, USB, 3-band equalizer, display.
Speaker sound, software errors.

Marshall guitar amplifiers are undeniably a legend in the music world, having greatly influenced the sound of rock and metal over the last six decades of their existence. CODE Digital Modeling Amplifiers are one of the brand's newest series. It was introduced in 2016 and immediately became the flagship in the niche, combining modern connectivity and many presets. We will talk about the youngest model of the line - Marshall Code 25.

The amplifier almost retained the appearance of the classic Marshall, but became more strict. A solidly closed body, a black grill with a logo, and a top settings panel with signature golden vintage knobs create an almost flawless look and evoke a feeling of reliability and high cost. The model turned out to be quite light, only 6 kg, and compact, 35x34 cm, so it will not cause problems with transportation.

In terms of I/O interfaces, there is a headphone output, an instrument input, AUX, a foot switch jack, and a USB port that allows you to use the DAW interface to record and stream audio to and from a PC. But that's not all. You can set up and control your Bluetooth combo with the Marshall Gateway mobile app for IOS and Android, and trust me, you'll need it.

Code 25 is a treasure trove of sound effects that can be combined and customized almost endlessly. It's essentially a fusion of a classic combo amp and guitar processor with over 100 presets, 14 preamp models, 4 amps and 8 guitar cabinets that will keep you busy for hours before you figure them out. A digital display that displays the current setting will help facilitate management.

Perhaps the only drawback of the Code 25 is its 10-inch speaker. To understand how mediocre it is, just compare the sound with headphones and without. For example, when the sound of an instrument decays, there is often an annoying electric buzz, the bass sounds dull and awkward, and the middle is not transparent enough that even a 3-band equalizer does not save. In addition, the sound is inexpressive in the mix, and this makes the model poorly suited for live performances. But for rehearsals at home, recording and working with sound, it will be just right.

Well, another fly in the ointment. Practice shows that the more electronics in the device, the more likely it is to fail. The first versions of the Code 25 had problems with Bluetooth pairing stability, saving presets, and even the sudden shutdown of the amplifier. As is the case in new models, buy Code 25 and check it out for yourself.

Verdict: Marshall Code 25 is an inexpensive combo ($250) for beginners and intermediate players who prefer to have everything in one device. It is a good helper for rehearsals, sound experiments and amateur recordings. If you are looking for something more serious in digital and the same brand, prepare another $ 100 and choose Code 50.

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Open cabinet, 55 programmable presets, USB, 3-band EQ, 3 cabinet resonances, customizable power circuit.
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The Japanese company Boss (a division of Roland) became famous not only for its analog pedals, but also for combo amplifiers. The Katana series of digital combos, named after the Japanese samurai sword, literally opened a window into the world of new possibilities for rock sound. The mid-range model of the Katana-50 MKII range is the perfect extension of the electric guitar for live performances, recording and rehearsals.

The Katana 50 is a classic open cabinet with a top control panel. Here are: a 5-position switch for unique gain modes (Clean, Crunch, Lead, Brown and Acoustic), a 3-band equalizer, gain and effect controls, BOSS Tone Studio software editor for selecting and adjusting 55 effects, and a power control knob, allowing for deep dynamics even at low volumes.

On the rear panel there are AUX in, a record output and headphones, a connector for connecting a footswitch or an expression pedal, and USB B.

Built-in BOSS effects and downloadable presets let you get the sound you want without the need for a pedalboard. By connecting with the proprietary BOSS Tone Studio software via USB, you will have access to 55 effects that can be completely reprogrammed to suit your needs. The range of effects goes far beyond traditional distortion, delay, and reverb, with transposition, ring modulation, and more. The internal memory of the amplifier is designed for 15 effects, three of which can operate simultaneously.

It's nice that in addition to the abundance of digital features, the sound did not let us down. The 12" speaker delivers clear, precise and loud sound that is great in the mix. In addition, the settings in Boss Tune Studio allow you to select three cabinet resonances: Vintage, Modern and Deep, bringing the sound character as natural as possible. Of course, any assessment of the sound is subjective, but when compared with the Fender Mustang, it seemed to us that the Boss sounds brighter, more transparent, and somehow more confident overall.

The Katana-50 MKII is a great all-around combo with a focus on live rock performances. For $400, you get a reliable workhorse that will perform great on stage when paired with your electric guitar.

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Two color options, light weight, self-powered, customizable power scheme, 4 independent channels, 4 speakers, two microphone inputs, 3-band EQ, built-in tuner, iPod, iPhone recording, stand mount.
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Roland Cube Street EX revolutionized the world of guitar amplification and became a hit with traveling musicians. The model costs nearly $900, but for this amount it offers truly outstanding performance capabilities.

The design of the model is completely sharpened for street performances. This is a closed cabinet in the form of a stage monitor, very light (7.4 kg) and easy to transport. There is a stand mount on the right side of the case, a carrying handle on the left, and the Cube logo flaunts on the massive metal grill.

The body made of molded ABC plastic and protective corners allow you to put the combo on any side without fear of damaging it. For added protection, the CB-CS2 waterproof case is available.

Roland did not stint on colors either. In addition to the classic black, the combo is also available in fiery red.

The amplifier is self-contained and runs on 8 rechargeable AA alkaline batteries. Three output power modes can be selected for different working situations : Max: 50W/5 hours; Normal: 25W/10 hours; Eco: 10 W/20 hours. However, if you find an outlet, you can connect the combo to it using the included AC adapter.

The amplifier has as many as 4 speakers, two 8-inch woofers and 2-inch tweeters, providing a total power of 50 watts. The sound is clear and natural, and most importantly, well readable in a noisy street.

Cube Street Ex has four independent channels for connecting various microphones, instruments and audio devices. Two XLR mic inputs allow two vocalists to perform simultaneously. But even if you fill all the channels, you can use the AUX In jack on the rear panel to connect an additional mono device.

Electric guitar tones including Clean, Crunch, Acoustic, and Lead, a 3-band EQ, Chorus, Reverb, and Delay effects let you create a variety of tonal variations, while a built-in chromatic tuner lets you quickly tune connected instruments.

With stereo line-out jacks, the combo can be used as an external speaker or stage monitor. And the ability to connect a second CUBE Street EX via the Stereo Link jacks will provide a wider sound coverage.

In addition, you can connect your iPhone, iPad or iPod touch to the amplifier via the i-CUBE LINK interface and record your performances in the CUBE JAM app, as well as adjust the pitch/speed, play backing tracks and karaoke.

Roland Cube Street EX is a great option for street and touring musicians. With it, you can arrange concerts and small group sessions anywhere, regardless of the presence of a sound device.