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Comparison Godox V100 vs Godox V1

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Godox V100
Godox V1
Godox V100Godox V1
Compare prices 33Compare prices 32
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Even light from a round head. Full TTL support. 1/10 stop power control. pilot light. Own battery. Magnets around the perimeter of the head for attachment attachments. Compatible with all major systems.
Typeregular (classic)regular (classic)
Camera compatibility
Canon
Fuji
Nikon
Olympus
Panasonic
Pentax
Sony
Canon
Fuji
Nikon
Olympus
Panasonic
Pentax
Sony
Specs
Guide number10076
Reload time1.7 с1.5 с
Number of impulses480480
Pulse duration1/300 - 1/20000 c1/300 - 1/20000 c
TTLE-TTL, I-TTL, TTLE-TTL, I-TTL, TTL
Power management++
Beam angle28-105 mm28 - 105 mm
Colour temperature3100-3500
Rotary head
Head anglevertically - 127 degrees, horizontally - 330 degreesvertically - 127 degrees, horizontally - 330 degrees
Features
Features
autofocus illumination
automatic zoom
manual zoom
master mode
slave mode
stroboscope
autofocus illumination
automatic zoom
manual zoom
master mode
slave mode
stroboscope
Power supply
Power sourceremovable batteryremovable battery
Battery capacity2980 mAh
General
Screen
Screen backlight
In the box
battery
charger
case / bag
battery
charger
case / bag
Dimensions76х93х197 mm76х93х197 mm
Weight530 g530 g
Added to E-Catalogfebruary 2025july 2020
Price comparison
Glossary

Guide number

The guide number is the main characteristic that describes the power of the light pulse of the flash. It is described as the maximum distance (in metres) at which, at ISO 100 and f/1 lens speed (aperture 1), a flash is able to illuminate an "average" subject sufficiently for a normal exposure; in other words, at what distance from the flash it will be possible to normally shoot the scene at the specified ISO and aperture.

There are formulas by which, knowing the guide number, you can derive the practical shooting distance for each specific value of sensitivity and aperture. The simplest formula used to calculate the distance at ISO 100 is: S=N/f, where S is the distance, N is the guide number, f is the aperture value. For example, for a guide number of 56 and an f/2.8 lens, this distance would be 56/2.8 = 20 m. Increasing or decreasing sensitivity by a factor of 2 would increase or decrease the specified distance by approximately 1.4 times, respectively. If you need to calculate the distance as accurately as possible, you should refer to more detailed formulas that can be found in specialized sources.

Separately, it is worth noting that the leading numbers of flashes, usually, are indicated by manufacturers for specific focal lengths of lenses. This is due to the fact that the shorter the focal length and, accordingly, the wider the viewing angle, the more light is needed to illuminate the scene being shot and the more powerful the flash pulse should b...e (at the same distance). Therefore, when choosing by the guide number, it makes sense to pay attention to the focal length indicated by the manufacturer and select a model with a power reserve — especially since guide numbers are often prescribed for rather “long-range” lenses (with a focal length of about 80-100 mm in equiv. 35 mm).

Reload time

The time it takes the flash or generator (for studio flashes) to prepare for the next flash. The smaller it is, the better. This parameter is especially important for continuous shooting, when the interval between frames is small: if you often shoot in this mode, you should look for a flash with the shortest possible recycle time. Also note that the characteristics usually indicate the shortest recharge time; in some operating modes, it may be significantly more than stated.

Beam angle

The angle at which the main beam of light from the flash diverges. This parameter is not expressed directly, in degrees, but in terms of the focal lengths of the corresponding lenses, in millimetres: for example, a beam angle of 105 mm corresponds to the angle of view of a lens with the same focal length (35 mm equivalent). This makes it easy to select a flash for specific optics, so that it most effectively illuminates all the space in the frame. And the most advanced modern flashes can have a variable dispersion angle, allowing you to adjust them to different shooting features; this feature is especially useful when using zoom lenses. Changing the angle of dispersion is carried out by a movable lens installed in the flash head, it can be carried out both automatically and manually (for more details, see "Functions and Capabilities").

Colour temperature

The colour temperature of the light emitted by the device. Most of the classic flashes have a standard colour temperature of 5500-5600 K, so this parameter is usually not given for such lamps. But on-camera light sources (see "Type") can differ markedly in this indicator, and we will talk about them.

Colour temperature characterizes the overall shade of the glow emitted by the device. At the same time, an interesting nuance is that low values \u200b\u200bcorrespond to colours that a person perceives as warm; and as the colour temperature rises, the hue shifts more and more towards cool colours. For example, for a 60 W incandescent lamp, the light of which has a pronounced yellowish colour, this parameter is approximately 2700 K, and for a fluorescent lamp that produces “daylight” light with a bluish tint, this parameter is about 7000 K.

In general, the colour temperature of lighting is one of the most important parameters when shooting: it determines the colour balance of the image "seen" by the camera. In camera settings, this indicator is called "white balance". It can also be determined automatically, however, for the most reliable colour reproduction, it is still desirable to set its values according to the known colour temperature of the lighting.

Specifically, in on-camera light sources, the colour temperature can be either constant or adjustable. In non-adjustable models, the value of this parameter is the same as in most flash units...— 5500 K, which corresponds approximately to neutral white. Adjustment also provides the possibility of at least lowering the colour temperature — usually up to 3200 K, which approximately corresponds to warm white light. In addition, occasionally there are models in which the maximum colour temperature exceeds 5500 K, reaching 6000 K and even more.

The ability to change the colour temperature can be useful not only for shooting as such, but also for “matching” the lamp with other light sources. The fact is that if several simultaneously used light sources have different colour temperatures, the colour rendition on the scene being shot will be unreliable — to the point that a monochromatic object illuminated by different lamps from different sides may look like a two-colour one. One way to avoid this is to set the colour temperature of the on-camera light to match the ambient light. However, it is worth noting here that the methods of adjusting the shades and the accuracy of such adjustment may be different. The most advanced option is to use two sets of LEDs, with a warm and cold shade of glow; By changing the brightness ratio between these sets, you can also change the overall colour temperature — and quite smoothly and accurately. Another way is to use coloured diffusers (see below), but here the adjustment is stepped, with fixed values (with and without a diffuser). In some devices, both of these methods are combined.

Battery capacity

Battery capacity for battery-powered models (see Power Source).

Theoretically, a higher capacity allows for greater autonomy, but in practice, things are not so clear. At a minimum, the actual operating time on a charge will depend on the power of the light source, its energy consumption, the set brightness mode, etc. To assess the actual autonomy, it is better to focus on the directly declared maximum operating time (see the corresponding help section).
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