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Comparison Panasonic PT-VZ570 vs Panasonic PT-DZ21K

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Panasonic PT-VZ570
Panasonic PT-DZ21K
Panasonic PT-VZ570Panasonic PT-DZ21K
from 50 801 ₴
Outdated Product
from 3 629 347 ₴
Outdated Product
User reviews
Main functionprofessionalprofessional
No lens
Lamp and image
Lamp typeUHMUHM
Lamp modelET-LAD510, ET-LAD510F
Number of lamps4
Service life7000 h2000 h
Lamp power270 W485 W
Brightness4500 lm20000 lm
Static contrast5 000:1
Dynamic contrast10 000:1
Horizontal frequency15 - 91 kHz15 - 100 kHz
Frame rate24 - 100 Hz24 - 120 Hz
Projection system
Technology
3LCD /x3/
DLP /3х0.96"/
Real resolution1920x1200 px1920x1200 px
Image format support16:10, 4:3, 16:916:10, 4:3, 16:9
Projecting
Rear projection
Throw distance, min0.7 m
Throw distance, max11.5 m
Image size30 – 300 "70 – 600 "
Optical zoom1.6 x
Zoom and focus
manual /f=1.6–2.12, f=15.3–24.64 мм/
motorized
Lens shift
Features
Features
PJ-Link protocol
 
 
3D support
Hardware
Number of speakers1
Sound power10 W
Video connectors
VGA /1 input and 1 input/output/
 
 
composite
 
VGA
DVI
BNC
composite
component
HDMI inputs2
Audio connectors
microphone input
3.5 mm input (mini-Jack)
3.5 mm output (mini-Jack)
RCA (audio)
 
 
 
 
Service connectors
COM port (RS-232)
LAN (RJ-45)
 
COM port (RS-232)
LAN (RJ-45)
HDBaseT
General
Noise level (nominal)
37 dB /29 in economy mode/
49 dB
Power sourcemainsmains
Power consumption2300 W
Size (HxWxD)126x389x332 mm291x620x800 mm
Weight4.9 kg43 kg
Color
Added to E-Catalogdecember 2014october 2012

No lens

No lens included with the projector. Having bought such a projector, you can choose and separately purchase a lens for it that is most suitable for your purposes, conditions of use, etc.; at the same time, you will not have to overpay for complete optics, which is not always the most suitable option.

Lamp model

The lamp model that the projector is designed for. Most projectors come with lamps included, so this information is not needed for normal use. But when looking for a spare lamp or replacement, information about model can be very useful: finding a spare part by the exact name is much easier than by general data like the brand of the projector.

Number of lamps

The number of lamps provided in the design of the projector.

Most modern projectors have one lamp, but there are also multi-lamp models. More lamps increase the light flow and, accordingly, the brightness of the image provided by the projector. In addition, in models with 4 lamps, it may be possible to continue working even if one of the lamps burns out — the brightness of the remaining ones is enough to provide the desired brightness. In two-lamp versions, most often you have to change a burned-out lamp.

Service life

Minimum projector lamp life as stated by the manufacturer. Specified by the total time of continuous operation. Note that if the projector was operated without violations, then upon reaching this time, the lamp will not necessarily fail — on the contrary, it can work for quite a long time. However, when evaluating durability, it is best to focus on the claimed service life.

Lamp power

The power consumption of the backlight lamp installed in the projector.

Theoretically, the more powerful the lamp, the brighter it is. However, this is only true when comparing lamps of the same type (see above); and even in this case, the brightness may also depend on the nuances of the design. Therefore, when evaluating the capabilities of a lamp, it is worth focus not so much on power, but on the directly claimed brightness in lumens (see below).

But what this parameter directly affects is the total power consumption of the projector: the lamp is the most “greedy” component of the device, compared to it, the power consumption of the rest of the electronics is very small. Also note that many powerful lamps have high heat dissipation and require cooling systems, which affects the size and weight of the projector.

Brightness

The brightness of the image produced by the projector at maximum backlight brightness. Usually, the average brightness of the screen, derived from a special formula, is indicated. The higher it is, the less the image depends on ambient light: a bright projector can provide a clearly visible image even in daylight, but a dim one will require dimming. On the other hand, increasing brightness reduces contrast and accuracy of colour reproduction.

Accordingly, when choosing this parameter, you need to consider the conditions in which you plan to use the projector. So, for office or school/university use, a brightness of at least 3000 lm is desirable — this allows you to get normal visibility without obscuring the room. In turn, among the top models a very low brightness can be found, because. such projectors are usually installed in rooms specially designed for them with good darkness level. And in ultra-compact devices it is impossible to achieve high brightness for technical reasons.

Detailed recommendations on the optimal brightness for certain conditions can be found in special sources. Here we note that anyway, it is worth choosing according to this indicator with some margin. As mentioned above, as brightness increases, contrast and colour quality decrease, and you may need to use the projector at a reduced brightness to achieve the desired picture quality.

Static contrast

The static contrast of the image provided by the projector.

Static contrast refers to the maximum difference between the brightest white light and the darkest black that a projector can provide within a single frame. Unlike dynamic contrast (see below), this parameter describes not conditional, but quite real capabilities of the device, achievable without the use of any additional tricks like auto-brightness. And since the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas.

Dynamic contrast

The dynamic image contrast provided by the projector.

Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.

By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.

Horizontal frequency

Horizontal frequency supported by the projector.

This parameter is relevant when working with analogue video signal. In such a video, the image is formed line by line: each pixel in the line is highlighted in turn, then the next line is highlighted, and so on. The horizontal frequency describes how many times per second the backlight beam runs from edge to edge of the screen. For normal playback, the projector must support the same refresh rate as the input signal was recorded. However, most models support a fairly wide range of frequencies, and there are no problems with support. Also note that if you are not a professional, then when choosing a projector, it is quite possible to focus on the frame rate (see below) — this parameter is simpler and more intuitive, and support for a certain frame rate automatically means support for the corresponding line rate.
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