Number of LEDs
The number of backlight LEDs (see "Design and capabilities") provided in the camera design.
Theoretically, more LEDs provide more power and, accordingly, range (see below) and efficiency
of IR illumination or LED illumination. However, in fact, such light sources can vary markedly in performance; in addition, a lot also depends on the features of the camera itself. Therefore, in fact, this indicator is a reference, and when choosing, it makes sense to pay attention to parameters that are closer to practice — in particular, the same backlight range (see below).
Aperture
Aperture of the lens installed in the camera.
Aperture characterizes the degree of attenuation of the light flux when passing from the front lens of the lens to the matrix. It is denoted as the ratio of the diameter of the active aperture of the lens to the focal length, while the size of the active aperture is designated as f and is taken as a unit — for example, f / 1.4 or f / 2.0. Moreover, the smaller the number in the designation, the higher the aperture (in our example, the second lens will be darker than the first). And for lenses with a variable focal length (see "Focal"), the actual aperture, usually, changes with a change in focal length; for such models, either the range of aperture values, or its maximum value, can be indicated.
By itself, this parameter characterizes, first of all, how light the image taken through the lens turns out, all other things being equal. High values are important, first of all, when shooting in low light conditions: a fast lens allows you to get a fairly high-quality image without increasing the sensitivity of the matrix, which is fraught with noise and “blurring” of the picture. On the other hand, the actual quality of camera operation (including in dark conditions) also depends on many other factors — the type and size of the matrix, signal processing features, etc. Therefore, aperture in most cases is more of a reference than a practically significant parameter.
Focal length
Focal length of the camera lens.
The focal length is such a distance from the lens to the matrix, at which a clear image is obtained on the matrix (when the lens is focused to infinity). The viewing angles of the lens primarily depend on this indicator (see below): the smaller it is, the wider the viewing angles and the smaller the objects in the frame (and vice versa). At the same time, it should be noted that the actual viewing angle is determined not only by the focal length, but also by the size of the matrix (see above). In fact, this means that with different sizes of matrices, lenses with the same focal length will have different working angles. Therefore, only cameras with the same matrix size can be compared with each other according to this indicator. Among CCTV cameras, lenses with a focal length of
2.8 mm,
3.6 mm,
4 mm and
6 mm are considered popular.
In models with a variable focal length (see above), in this case, the range from the minimum to the maximum distance is indicated. Also, using these data, you can derive the optical magnification factor of such a lens: for this, the maximum value must be divided by the maximum (for more details, see below).
Horizontal viewing angle
Horizontal viewing angle of the surveillance camera. For models with a variable value, the maximum value is indicated, since it is the width of the image that is important, and when zooming in, the zoom factor is more important than the angle. This paragraph also indicates the general angle of view for models with a circular field of view – in particular, cameras with a fisheye lens (see above)
The wider the viewing angle, the more space the camera captures and at the same time, the smaller the images of individual objects in the frame are obtained. Therefore, when choosing by this parameter, it is worth deciding what is more important – the ability to view a large scene or the visibility of small details in a relatively narrow field of view. Also note that with a wide field of view (100° or more), characteristic distortions can be observed at the edges of the frame, and the wider the angle, the more pronounced they are. This phenomenon can be eliminated by panoramic shooting (see "Design and features"), but this feature, in turn, complicates and increases the cost of the camera.
