Comparison Yamaha RX-V383 vs Pioneer VSX-531-K

The ability to increase the resolution of the video signal processed by the receiver - if the original video resolution is lower. Depending on the capabilities of the receiver, in particular its HDMI ports, upscaling to Ultra HD 4K and upscaling to Ultra HD 8K may occur.

The principle of upscaling is that a relatively low-resolution video is supplemented with the required number of pixels using special algorithms. Due to this, when playing such a video, the quality of the “picture” is noticeably higher than without upscaling (although somewhat lower than that of content originally recorded in UltraHD). It makes sense to specifically look for a receiver with this function if you plan to use it with a 4K or 8K screen.

the maximum sound power that can be delivered by the power amplifier (if the receiver has one, see "Type") per speaker channel. It is worth noting here that in this case it is customary to indicate the so-called RMS (Rated Maximum Sinusoidal), or rated power. Rated is considered the highest power that the amplifier is guaranteed to be able to produce without interruption for an hour without any failures or breakdowns. Short-term jumps in the signal level can significantly exceed this value, but the main indicator is still the rated power.

The power of the amplifier largely determines the sound volume of the speaker system connected to the device. In fact, the loudness also depends on the characteristics of the speakers — sensitivity, impedance, etc.; however, other things being equal, the same acoustics on a more powerful amplifier will sound louder. In addition, this parameter also affects the compatibility of the speakers and the amplifier — it is believed that the difference in the nominal powers of these components should not exceed 10-15% (and ideally, the powers should generally match). And since different rooms require speakers of different power, this also affects the choice of amplifier for a particular environment; specific recommendations on the ratio of room characteristics and acoustic power can be found in special sources.

Also note that if the amplifier can operate with a load of different resistance (...see "Permissible acoustic impedance"), then for different options the power per channel will be different — the lower the resistance, the higher the power. In the characteristics, in this case, the maximum value of this parameter is usually indicated — that is, the power at the minimum allowable resistance.

This indicator determines the amount of extraneous noise that accompanies the sound output by the receiver's amplifier. It is convenient because it takes into account almost all possible significant noise — both created by the device itself and due to external causes. The higher the signal-to-noise ratio, the lower the noise volume compared to the main signal, the cleaner the amplifier will sound. A reading of 70-80 dB is considered normal for most consumer electronics, but in AV receivers, which are usually premium devices, this can only be called satisfactory. In the most advanced models, this figure can significantly exceed 100 dB.

The range of sound frequencies that the receiver is capable of outputting (this parameter can also be specified for models without their own amplifier, see “Number of channels” for more details). The completeness of the transmitted sound depends on this parameter; of course, the sound quality in general is highly dependent on a number of other factors (for example, frequency response), but the wider the frequency range, the less risk that the amplifier will completely “cut off” some part of the sound. On the other hand, it should be taken into account here that the normal hearing range of the human ear is approximately 16 – 20,000 Hz, and deviations from these limits are rather small. And although many modern receivers provide a much wider frequency range, however, this is more of a marketing ploy than a really significant indicator (or some kind of "side defect" in the design of a high-quality amplifier).

It is also worth considering that in order to reproduce the full frequency of the amplifier, you will need speakers with the appropriate characteristics.

Audio and video file formats that the receiver is capable of playing on its own. Models with player features generally support most popular media file types (particularly AVI, MPEG and MKV for video, MP3, WAV and WMA for audio), but the file set may have its own peculiarities. This item allows you to find out.

The number of analogue stereo RCA inputs provided in the design of the AV receiver. The more such inputs there are, the more transmitting devices can be simultaneously connected to the receiver. Thanks to this, when choosing between them, you do not have to reconnect cables — just set the signal source in the receiver settings.

By itself, the RCA connector (colloquially — "tulip") can be used in different interfaces. However, in this particular case, we are talking about a linear audio input responsible for an analogue audio signal. RCA is the most popular connector used in modern audio equipment for such inputs; it allows you to connect the receiver to an external audio source such as a CD player.

Note that connectors of this type are usually counted in pairs; in other words, one input consists of two RCA connectors. This is due to the fact that in this case only one channel of analogue audio can be transmitted over one wire; accordingly, two RCA jacks are required for stereo transmission.

The number of coaxial inputs provided in the design of the receiver.

The coaxial interface is used to transmit audio in digital format. In fact, this is a kind of S / PDIF interface that uses an electric coaxial cable with RCA connectors (“tulip”) for connection. Do not confuse this interface with the analogue RCA described above: the coaxial connection differs in signal type, in the number of jacks per connector (one is enough here), and also does not work well with a regular RCA cable (preferably shielded). S/P-DIF bandwidth is enough to transmit multi-channel audio up to 7.1(see "Number of channels"), but lossless formats like Dolby TrueHD or DTS-HD Master Audio(see "Decoders") are not supported.

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables.

The number of composite inputs provided in the design of the receiver.

Note that in this case, we do not mean a full-size composite interface that uses three sockets (video and two stereo sound channels), but only one connector — video. This is due to the fact that the sound can be output through standard RCA audio connectors. The video output also uses an RCA type connector, usually a characteristic yellow colour.

Due to the fact that all image data is transmitted over a single cable, the composite interface is somewhat inferior to the component (see above) in terms of video quality, and the bandwidth allows you to work only with a standard definition signal (not HD); and there is no talk of volumetric sound. On the other hand, this connection method has long been used in video technology and can be useful for connecting outdated devices (such as VHS VCRs).

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables.

The presence of a linear audio input on the front panel of the AV receiver.

The line interface is the main interface for transferring an analogue audio signal between audio system components. It can use different types of connectors, but most often classic RCA is installed on the front panel of the receiver. Another option is a 3.5 mm mini-jack; such a socket is useful for connecting portable equipment such as smartphones or pocket players. There are models equipped with both types of connectors. Anyway, the placement of the line input on the front panel will be especially convenient for connecting temporary sound sources that are not planned to be permanently connected to the receiver. For example, during a party, you can quickly connect a DJ console or a player with a selection of music to the system, and just as quickly disconnect the device at the end of the event.