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Comparison JBL PRX 835W vs JBL PRX 825W

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JBL PRX 825W
JBL PRX 835WJBL PRX 825W
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Featuresconcertconcert
Mountfloorfloor
Specs
Typeactiveactive
Number of channels1.01.0
Number of speakers33
Number of bands32
Crossover frequency0.58 / 2.1 kHz2.4 kHz
Power / frequency
Total rated power1500 W1500 W
Overall frequency range50 – 18250 Hz53 – 17000 Hz
Design
Design features
bass reflex
horn design
bass reflex
horn design
Connectors
Inputs
RCA
combo Jack (6.35 mm) / XLR
RCA
combo Jack (6.35 mm) / XLR
Outputs
balanced XLR
balanced XLR
General
Tweeter size38 mm38 mm
Midrange speaker size165 mm
Woofer size (LF/MF)381 mm381 mm
Finishing materialMDFMDF
Front speaker dimensions (HxWxD)106x45x54 cm106x45x54 cm
Weight34.9 kg37.2 kg
Color
Added to E-Catalogfebruary 2017january 2017

Number of bands

The number of distinct frequency bands into which the sound is divided when played back through the speakers. For each such band, a separate speaker is provided, and sometimes several (for more details, see "Number of speakers").

Among multi-band consumer-level models, the most common options are 2 or 3 bands — LF / HF and LF / MF / HF, respectively. A larger number, usually, indicates a high class of acoustics, because. it is more accurately capable of reproducing the signal and, accordingly, is more complicated. But there are also small satellites with one speaker ( single-way) for the case of an undemanding listener.

Note that, in addition to integers, models are also produced with a fractional number of bands — for example, 2.5 or 3.5. This marking indicates the presence in the design of a speaker that is responsible for two bands at once: for example, model 2.5 has separate speakers for bass and treble plus a combined bass + midrange (similar in design to bass, but also loaded with mid frequencies).

Crossover frequency

The frequency of the crossover provided in the speaker design.

The crossover is installed exclusively in the model with several stripes (see "Number of stripes"). This is an electronic filter that separates the incoming audio signal into separate frequency bands and directs each band to its "own" set of speakers. And the crossover frequency shows where the border between these ranges passes. If there are more than two bands, then there will be several similar boundaries: for example, for a four-band system, “0.15 / 0.8 / 2.8 kHz” or “0.12 / 1 / 3.8” may be indicated.

In most cases, this parameter is mainly of reference value: the built-in crossover frequencies are selected according to the performance of the speakers installed in the speaker.

Overall frequency range

The total frequency range that the speaker is capable of reproducing. Specified from the bottom of the range in the lowest frequency component to the top of the range in the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

The wider the frequency range — the fuller the reproduced sound, the lower the likelihood that some part of the low or high frequencies will be "cut off". It is worth noting here that the human ear perceives frequencies on average from 16 Hz to 22 kHz, and from a practical point of view, it makes no sense to provide a wider frequency range in speakers. However, quite a few models go beyond this range, sometimes quite significantly (for example, there are speakers with a range of about 10 – 50,000 Hz). Such characteristics are a kind of "side effect" of high-end acoustics, and they are usually given for advertising purposes.

Thus, the lower limit of the range in modern speakers can be within frequencies up to 20 Hz, however, higher values \u200b\u200bare more common — 30 – 40 Hz, 40 – 50 Hz, or even more than 70 Hz. In turn, the upper limit in most modern speakers lies in the range 19 – 22 kHz, although there are deviations both upwards (see above) and <...a href="/en/list/12/pr-12255/">downwards.

Midrange speaker size

The diameter of the midrange speaker(s) speakers. The size of the speaker determines its operating range, as well as the total power: the larger the diameter, the lower the frequencies and the larger the radiating surface area (and hence the power). Accordingly, the dynamics for the midrange can be quite large, but in this case this parameter cannot be called critical. More detailed information can be found in special sources.

Weight

The total weight of all components of the speaker system.
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