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Comparison Fujifilm X-T30 body vs Fujifilm X-T3 body

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Fujifilm X-T30  body
Fujifilm X-T3  body
Fujifilm X-T30 bodyFujifilm X-T3 body
from 42 937 ₴
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from 60 461 ₴
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Main
Shooting 4K with a maximum bitrate of 200 Mbps.
Wide dynamic range of the image. Separate shutter, ISO and ISO controls. High rate of fire in sequential shooting mode. Swivel screen with touch control. High resolution OLED viewfinder.
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
Sensor
Sensor
CMOS (CMOS) /x-Processor Pro processor + X-Trans CMOS III image sensor/
CMOS (CMOS) /eXR Processor IV/
Sensor sizeAPS-C (23x15.5 mm)APS-C (23x15.5 mm)
Effective MP number2626
Maximum image size6240x4160 px6240x4160 px
Light sensitivity (ISO)
80 - 51200 /ISO 100 and 51200 are only available in manual adjustment modes/
80 - 51200
RAW format recording
Lens
Mount (bayonet)Fujifilm XFujifilm X
Manual focus
Image stabilizationis absentis absent
Photo shooting
HDR
2 control dials
 /modes, shutter speed, exposure/
 /+ optional/
White balance measuring
Exposure compensation± 5 EV, in 1/3 EV increments± 5 EV, in 1/3 EV increments
Auto bracketing
 /+/- 1 до +/- 3/
 /± 5 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 120 fps1920x1080 pix 120 fps
Ultra HD (4K)4096x2160 pix 30 fps4096x2160 pix 60 fps
File recording formats
MPEG-4 /H.264/
MPEG-4 /H.264/
Manual video focus
Connection ports
HDMI v 1.4
headphone Jack
 
HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
 
tracking
in face
Focus points425 шт425 шт
Touch focus
Contour enhancement
Viewfinder and shutter
Viewfinderelectronic
electronic /236K pixels/
Viewfinder crop0.75 x
Frame coverage100 %100 %
Shutter speed
900 - 1/4000 sec /electronic shutter up to 1/32000/
30 - 1/8000 sec /there is a transition mode to the electronic viewfinder (up to 1/32000)/
Continuous shooting30 fps20 fps
Shutter typeelectronic/mechanicalelectronic/mechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Memory and communications
2 card slots
Memory cards types
SD, SDHC, SDXC /UHS-I, UHS-I/
SD, SDHC, SDXC /UHS II/
Communications
Wi-Fi 4 (802.11n)
 
smartphone control
Wi-Fi
Bluetooth
smartphone control
Flash
Built-in flash
Guide number5
External flash connect
Power source
Power source
battery
battery
Battery modelNP-W126sNP-W126, NP-W126S
Shots per charge380 шт390 шт
General
Charger modelBC-W126BC-W126
Materialmagnesium alloymagnesium alloy
Retrodesign
Protectiondustproof, waterproof
Dimensions (WxHxD)118х83х47 mm133х93х59 mm
Weight383 g539 g
Color
Added to E-Catalogfebruary 2019december 2018

HDR

Camera support for HDR.

HDR stands for High Dynamic Range. The main application of this technology is shooting scenes with significant differences in illumination, when there are both very bright and very dark areas in the frame. The features of modern digital photography are such that in the normal shooting mode, only a rather narrow range of brightness can be correctly processed; as a result, with a large difference in illumination, the image contains either too dark or overexposed fragments. HDR avoids this phenomenon: in this mode, the camera takes several shots with different exposure settings, and then glues them together in such a way as to reduce the brightness in bright places and increase in dark places. This allows you to shoot, for example, landscapes against the backdrop of a bright sunset sky, the interiors of dimly lit buildings with bright windows, etc. In addition, HDR can also be used as an artistic technique — to give the picture an unusual colour scheme.

Note that this effect can also be achieved using post-processing in a graphics editor; however, using the camera is much more convenient.

Ultra HD (4K)

The maximum resolution and frame rate of video captured by the camera in the Ultra HD (4K) standard.

UHD 4K refers to resolutions with a frame size of approximately 4,000 horizontal pixels. Specifically, in cameras for video shooting, resolutions of 3840x2160 and 4096x2160 are most often used. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Connection ports

— USB C. A universal USB interface that uses a Type C connector. USB ports themselves (all types) are used mainly for connecting the camera to a computer for copying footage, managing settings, updating firmware, etc. Specifically The Type C connector is comparable in size to earlier miniUSB and microUSB, but has a reversible design that allows the plug to be inserted in either direction. In addition, USB C often operates according to the USB 3.1 standard, which allows for connection speeds of up to 10 Gbps - a useful feature when copying large amounts of content.

- HDMI. A comprehensive digital interface that allows you to transmit video (including high resolution) and audio (up to multi-channel) over a single cable. The presence of such a port makes it possible to use the camera as a player: it can be directly connected to a TV, monitor, projector, etc. and view your footage on the big screen. In this case, broadcast capabilities can include not only video playback, but also demonstration of captured photos in slide show mode. HDMI inputs are present in most modern video equipment, and connection is usually not a problem.
Nowadays, there are several versions of the HDMI interface on the market:
  • v 1.4. The oldest version currently relevant, released in 2009. However, it supports 3D video, is capable of working with resolutions up to 4096x2160 at a speed of 24 fps, and in Full HD resolution the frame rate can reach...120 fps. In addition to the original v.1.4, there are also improved modifications - v.1.4a and v.1.4b; they are similar in basic capabilities, in both cases the improvements affected mainly work with 3D content.
  • v2.0. Significant HDMI update introduced in 2013. In this version, the maximum frame rate in 4K has increased to 60 fps, and support for ultra-wide 21:9 format can also be mentioned. In update v.2.0a, HDR support was added to the interface capabilities; in v.2.0b this function was improved and expanded.
  • v 2.1. Despite the similarity in name to v.2.0, this version, released in 2017, was a very large-scale update. In particular, it added support for 8K and even 10 K at speeds up to 120 fps, and also further expanded the capabilities for working with HDR. This version was released with its own cable - HDMI Ultra High Speed; all features of v.2.1 are available only when using cables of this standard, although basic functions can be used with simpler cords.


— Headphone output. Audio output allows you to connect headphones to the camera. As a rule, it is represented by a classic 3.5 mm mini-jack. The presence of such a connector provides the ability to monitor sound during video recording in real time. This is especially important when filming interviews, vlogs and other similar projects.

— Microphone input. Specialized input for connecting an external microphone to the camera. External microphones are significantly superior to built-in microphones in sound quality. Firstly, they are not so sensitive to the camera’s “own” sounds - from buttons, control wheels, focus motors, etc. (and if the microphone uses a long wire and is not attached to the body, these sounds will not be heard at all). Secondly, external microphones themselves have more advanced characteristics. On the other hand, their use is justified mainly for professional video recording; therefore, the presence of a microphone input, as a rule, corresponds to advanced video recording capabilities

Autofocus modes

Autofocus operating modes provided in the camera design.

— One picture. The main mode of autofocus operation is found in all modern cameras and is used most often. Designed for shooting motionless objects.

— Follower. This mode is used for shooting moving objects, the distance to which is constantly changing: the camera constantly monitors the position of the object, constantly adjusting the optics so that it is in focus. Usually found in middle and upper class cells.

— AI focus. A peculiar combination of the previous two modes is used when a stationary object can start moving at any moment. If the scene is static, autofocus works in the single frame mode, but if the object on which focus is made starts to move, the device switches to tracking autofocus mode. AI mode allows you to almost instantly set the optimal autofocus settings, which is especially useful for sequential shooting. Initially, it was found in expensive models, however, thanks to the development of technology, today it can even be used in inexpensive compacts (see “Camera type”).

— By the face. Autofocus mode that uses a face recognition system and focuses on them. This feature is especially useful for taking pictures of people at a great distance from the camera, when the face is much smaller than the frame size, such as in group shots.

— With a smile. A further development of the face autofocus mode described above, when, in accordance with the nam...e, the system reacts not just to a face, but to a smile. This mode can be combined with the function of automatic shooting at the moment of a smile.

— Animal in the frame. A mode designed primarily for shooting animals, which can be difficult (and often impossible) to make them sit still in the frame. It is usually a variation of the tracking autofocus described above, but specific features of operation may vary depending on the camera model.

This list is not exhaustive, and other specific autofocus modes may be provided in the design of modern cameras.

Viewfinder crop

This setting can be simplistically described as the amount of magnification provided by the viewfinder relative to how the image appears to the naked eye. The features of modern viewfinders are such that most of them have crop values less than 1 — that is, it somewhat reduces the visible “picture”.

In general, the larger this parameter, the larger the objects look in the viewfinder and the easier it is to focus through it.

Shutter speed

The range of shutter speeds that the camera is capable of shooting.

Exposure is the time between opening and closing the shutter (see below), in other words, the period of time captured in the photo. For different purposes, methods and conditions of shooting, different shutter speeds will be optimal. Small values (in modern cameras they can reach thousandths of a second) are important when shooting fast-moving objects and for shooting at long distances — in the first case, they minimize the effect of image blur from the movement of the object, in the second — the effect of camera shake in hands. However, for shooting at low shutter speeds, a good matrix light sensitivity or high-aperture optics are required (see above). Long shutter speeds (measured in seconds) are used for shooting in low light conditions — such as city streets at night or the starry sky — and also allow you to create the effect of movement in the frame. Accordingly, the greater the shutter speed range, the wider the camera's ability to choose the option that is optimal for certain conditions.

Continuous shooting

Continuous shooting speed provided by the camera at the maximum frame resolution. At lower resolutions, the speed may be higher, but this value is considered the key characteristic.

In continuous shooting, the photographer presses the button, and the camera takes several shots in a row, usually at intervals of a fraction of a second. Such shooting is convenient, for example, for capturing fast-moving objects: it allows you to choose the most successful from a series of frames, or to show the dynamics of movement using the entire series. And the higher the speed, the more effective the shooting, the more frames the camera can capture in a period of time. On the other hand, speed requires appropriate hardware and can significantly affect the cost.

2 card slots

The presence of two slots for memory cards in the design of the camera. At the same time, slots can differ according to the type of cards used: for example, the main slot for a fast and reliable XQD card can be supplemented by a slot for a slower, but inexpensive SD card.

Anyway, in digital cameras there are three main formats for working with two cards:

— Backup: information from the main card is duplicated on the second one. Thus, if one of the media fails, the data will not be lost.
— Recording on overflow: recording on the additional card starts when the main one runs out of space. This mode allows you to increase the total amount of available memory.
— RAW/JPEG separation: when shooting in two formats, RAW sources are saved on the main card (usually faster), and finished JPEGs are saved on the secondary one.


The specific functionality in different camera models may be different, but it is not uncommon to find support for all the described methods of operation at once. On the other hand, an additional slot affects the dimensions and price of the device, despite the fact that it is not critical for amateur filming. Therefore, this feature is found mainly in professional-level devices.

Communications

- GPS module. The camera has a built-in GPS satellite navigation module. In digital cameras, the GPS module is used primarily for setting the so-called. geo-tagging to photos: information about specific geographical coordinates of the shooting location is recorded in the service information about each image. However, the matter is not limited to this, and models with this function can have many additional features - from classic navigation to special programs like a database of points of interest with hints based on the current location.

- WiFi. A wireless standard originally developed for computer networking, but more recently allowing for direct connection between devices. The ways in which Wi-Fi is used in cameras can vary. Thus, the most popular option is to connect to a smartphone, tablet or other similar device for remote control (see below) and / or transfer footage to an external device. Some cameras have built-in software that allows you to directly connect to the Internet through wireless access points and upload photos and videos to popular network services. And in models running Android (see above), specific features depend only on the installed software and may include full access to social networks through client programs (see below) and even web surfing through a browser.

— Bluetooth. A wireless interface used to communicate with various electronic devices. In camera...s, Bluetooth is most often used to connect to a computer or laptop and transfer footage; In addition, it allows you to use the direct printing function on printers equipped with Bluetooth. The range of Bluetooth communication is up to 10 m, and the devices do not necessarily have to be in direct line of sight to each other.

- NFC chip. NFC (Near-Field Communication) is a wireless communication technology designed to connect various portable devices with each other at a distance of up to several centimeters. In cameras it plays an auxiliary role, designed to facilitate connection with other devices (smartphones, tablets, etc.) using a longer-range standard (Wi-Fi or Bluetooth). Instead of delving into the settings - looking for devices, connecting them manually - just bring the NFC camera to a gadget equipped with the same chip and confirm the connection request.

— Control from a smartphone. The ability to remotely control the camera using a smartphone, tablet or other similar gadget. The connection between the camera and the control device is usually carried out via Wi-Fi (see above), while a special application is used for control, and the gadget’s screen plays the role of a viewfinder. The specific capabilities of such control can be different - releasing the shutter on command, selecting exposure parameters and other shooting settings, focusing by touch, etc. Often, it is also possible to “drain” the footage onto the control device and, through it, to the Internet. Note that for cameras used with mobile phones (see “Camera Type”), this function is not indicated: such a camera is usually mounted directly on the device, and there is no talk of remote control.
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