Comparison DACs

- DAC. Actually, digital-to-analog converters in the original sense of the word are devices designed to convert digital audio transmitted via an optical, coaxial or USB interface into an analog line-level audio signal, usually in stereo format. Sometimes switching of a digital signal may also be provided (output unchanged to one or another digital output), rarely also reverse, analog-to-digital conversion and/or sound processing using built-in filters and regulators.

— DAC with amplifier. Digital-to-analog converters (see corresponding paragraph), complemented by a built-in headphone amplifier and headphone output. The use of this feature can vary: some devices use the “ears” to control the sound coming to the DAC outputs, while others are actually high-end compact headphone amplifiers that connect to the digital output of a PC, game console or other similar device.

Model of the digital-to-analogue converter installed in the device.

DAC in this case means the “heart” of the device, the main circuit that directly provides the conversion of digital audio to analogue. The name of the DAC model is given mainly for advertising purposes — as an illustration of the fact that high-quality components are used in the device. In addition, knowing the model, you can find detailed information about a particular DAC; although in fact such a need does not arise often, it may still arise in some specific cases.

The number of audio channels supported by the device.

The standard option for modern DACs is classic 2-channel stereo sound. However, in addition to this, there may be other options. Thus, there are multi-channel (up to 32 channels) devices; they are usually referred to as audio interfaces (see "Type") and are intended for mixing multiple sound sources - for example, a microphone and several instruments. The opposite option is single-channel converters; They are used mainly in hi-end audio systems on the “one per channel” principle and are intended for maximum channel separation (which, in turn, allows you to very accurately configure the operating parameters of each channel).

Sample rate of the digital-to-analogue converter used in the device.

DAC in this case means the “heart” of the device, the main circuit that directly provides the conversion of digital audio to analogue. And the sampling rate is initially one of the characteristics of digital sound. In this case, its meaning is as follows: the sampling rate of the DAC must not be lower than the corresponding indicator in the incoming audio signal, otherwise the device will not be able to effectively cope with the conversion.

The bit depth of the digital-to-analogue converter used in the device.

DAC in this case means the “heart” of the device, the main circuit that directly provides the conversion of digital audio to analogue. Bit depth is initially one of the characteristics of a digital audio signal. In this case, its meaning is as follows: the bit depth of the DAC must be no lower than the bit depth of the audio signal with which the converter is planned to be used, otherwise the device will not be able to effectively cope with the conversion.

The audio frequency range supported by the device. Most often, we are talking about the frequency range that the device can output in an analogue audio signal at the output.

In general, the wider the frequency range — the fuller the sound, the lower the likelihood that the transducer will “cut off” the upper or lower frequencies. However, note that the human ear is able to hear sounds at frequencies from 16 to 22,000 Hz, and the upper limit decreases with age. So from a practical point of view, it does not make sense to provide a wider range in audio technology. And the impressive numbers found in high-end devices (for example, 1 – 50,000 Hz) are more of a "side effect" of advanced electronic circuits and are given in the characteristics mainly for the purpose of advertising. Also recall that the overall sound quality is affected by many other factors, in addition to the frequency range.

The signal-to-noise ratio provided by the converter.

This parameter describes the ratio of the volume of the pure sound produced by the device to the volume of its own noise (which is inevitably created by any electronic device). Thus, the higher the signal-to-noise ratio, the clearer the sound, the less the DAC's own noise affects the audio signal. Indicators up to 80 dB can be considered acceptable, up to 100 dB — not bad, 100 – 120 dB — good, more than 120 dB — excellent. However, it is worth remembering that the overall sound quality is affected not only by this parameter, but also by many others.

Note that the signal-to-noise ratio is often associated with such a characteristic as the dynamic range (see above). They are similar in general meaning, both describe the difference between an extraneous background and a useful signal. However, the noise level in the calculations is taken differently: for the signal-to-noise ratio, the background of the converter “at idle” is taken into account, and for the dynamic range, the noise that occurs when a low-level signal is output. This is the reason for the difference in numbers.

The coefficient of harmonic distortion produced by the converter during operation.

The lower this indicator, the clearer the sound produced by the device is, the less distortion is introduced into the audio signal. It is impossible to completely avoid such distortions, but it is possible to reduce them to a level that is not perceived by a person. It is believed that the human ear does not hear harmonics, the level of which is 0.5% and below. However, in high-end audio applications, distortion rates can be much lower — 0.005%, 0.001% or even less. This makes quite a practical sense: the distortions from the individual components of the system are summed up, and the lower the harmonic coefficient of each component, the less distortion there will be in the audible sound as a result.

Adjustments provided directly in the device.

— Bass adjustment. Separate bass level control; usually combined with treble control (see below). This function allows you to change the sound image by adjusting the volume of the bass sound relative to the rest of the frequency range.

— Treble adjustment. Separate treble control. Like the bass adjustment described above, it allows you to adjust the sound picture — in this case, by changing the volume of high frequencies relative to the rest of the range.

— Balance adjustment. Adjusts the sound balance between two stereo channels by increasing the volume for one channel and decreasing the volume for the other. Due to this, in the perception of the listener, the sound "shifts" towards greater volume. This function is mainly used for correction purposes — for example, if the speakers are at different distances from the listener, shifting the balance towards the far speaker allows you to compensate for the difference in audible volume.

— Level adjustment. Adjusting the overall signal level at the output, in other words, adjusting the volume. Adjusting the volume using the DAC's own control is sometimes more convenient than accessing the settings of other components of the audio system.

— Headphone level adjustment.... Headphone sound volume adjustment. This control is provided mainly for user comfort, it allows you to set the sound level in the "ears" to your own preferences. This possibility is especially relevant in light of the fact that headphones are rarely equipped with their own volume controls (and usually these are inexpensive models with relatively low sound quality).

— Sensitivity adjustment. Adjustment of input sensitivity of the converter. This function is found mainly in models with analogue inputs: it allows you to amplify the incoming signal, if necessary, even before it is processed by the converter, if the initial signal level is too low.