Comparison Steinberg UR22C vs Steinberg UR22

Connection interfaces that the audio interface is equipped with.

- USB A. Connection via standard USB port. Until recently, this was the most popular interface for external peripherals, found in almost all PCs and laptops. Nowadays, it is often replaced by a USB type C port (see the corresponding paragraph). Most USB A audio interfaces draw power directly from the PC or other host device.

- USB type B. The connector has a characteristic square shape, noticeably different from the well-known rectangular USB A ports. In audio interfaces, it is used to transmit signals from external sources to a computer for recording and processing.

- USB type C. A peripheral connector with a symmetrical contact group, which often replaces full-size USB ports on board modern PCs and laptops. Many new models of audio interfaces are being made for this interface. An exception to the rule is individual instances for Thunderbolt. For them, it is Thunderbolt that is indicated, and not USB type C.

- Thunderbolt v2. Initially, Thunderbolt is a universal connector used primarily in Apple computer equipment. On board audio interfaces it is used as a general peripheral connector (similar to USB). This uses the miniDisplayPort hardware port. The data transfer speed in this version reaches 20 Gbit/s. Recently, the v2 edition...has been replaced by the Thunderbolt v3 version (see the corresponding paragraph).

- Thunderbolt v3. A universal interface that is found mainly in Apple technology. In audio interfaces it is used as a general peripheral connector (similar to USB). Specifically, Thunderbolt v3 provides data transfer speeds of up to 40 Gbps and uses a USB type C hardware connector (as opposed to earlier versions based on miniDisplayPort).

- Lightning. A connector used exclusively in Apple portable electronics (since 2012). Accordingly, audio interfaces with such a port are aimed at ease of connection to iPhones and iPads. Note that today there has been a transition from proprietary Lightning to the common USB type C - the latest generations of Apple gadgets are produced with just such a peripheral connection connector.

- mini-USB. A smaller version of the full-size USB interface, created for portable equipment. It is found very rarely in audio interfaces.

- FireWire. Universal connector, also known as IEEE 1394 or i-Link. In terms of functionality, it is analogous to USB, and in some characteristics it even surpasses it. However, FireWare is much less common. Used to connect to computers and some types of specialized audio equipment.

— Dante Dante connectors are used to connect audio interfaces to a network to transmit audio digitally. In this case, a standard Ethernet port (RJ-45) is used for physical access to the network.

Characteristics of the built-in DAC - a digital-to-analog converter for converting digital audio into line-level analog audio, usually in stereo format.

— Bit depth. Bit size of the digital-to-analog converter (DAC) used in the device. In this case, the meaning of this parameter is as follows: the bit depth of the DAC must be no lower than the bit depth of the audio signal with which the converter is planned to be used, otherwise the device will not be able to effectively cope with the conversion. As for specific values, the standard options in modern audio interfaces are 16 bit, 24 bit and 32 bit.

- Sampling frequency. The sampling rate of the digital-to-analog converter (DAC) installed in the audio interface. Let us recall that such a converter is responsible for converting digital audio into an analog audio signal. The paragraph usually indicates the maximum value of the sampling frequency, for which one of the standard values corresponding to a certain sound quality is used ( 48 kHz, 96 kHz, 192 kHz).

Through the Main outputs it is supposed to transmit signals from the audio interface to external devices for playing and recording sound. In everyday use, there are models with one type of Main connector, as well as with several varieties (for example, Jack (6.35 mm), XLR, RCA, or Jack (6.35 mm) / RCA, or Jack (6.35 mm) / XLR).

— Jack (6.35 mm). Output for transmitting analog audio signal. Structurally similar to the popular mini-Jack, but differs from it in its larger dimensions. As a result, Jack type plugs (6.35 mm) are used primarily in high-end stationary audio equipment. Outputs of this type usually operate on a “one channel per connector” principle (i.e., to transmit stereo sound you will need to use two Jack sockets). Also, this interface often provides a balanced connection - a connection in a special format that allows the use of long wires without compromising the signal quality (due to the suppression of interference in the wire itself). However, the Jack connection (6.35 mm) may also be unbalanced.

- XLR. Another type of output for transmitting an analog signal using a balanced connection. It allows the use of long cable lengths without compromising the quality of data exchange - external interference is absorbed directly in the cable. Often the connector is combined with a Jack interface (6.5 mm). The XLR is equipped with a locking lock and three contacts. A single three-...pin analog cable can only carry one channel of audio, so a standard XLR output typically consists of two jacks, stereo left and right.

- RCA. Jacks for coaxial cables with characteristic plugs, popularly known as “tulips”. One cable in analog format can transmit one channel of audio. The standard output of this type consists of two connectors - for the left and right stereo channels. On the other hand, RCA does not provide the possibility of a balanced connection, which is why it is inferior to other options in noise immunity, has noticeable limitations on cable length and is poorly suitable for professional use. Nevertheless, “tulips” have become very widespread in entry-level and mid-level stationary audio equipment.

The type of line output provided in the audio interface design. It outputs a line-level analog audio signal. This interface is mainly used for connecting recording devices, outputting a signal to playback equipment or to an external amplifier. And the types of connectors used for linear output can be as follows:

— mini-Jack (3.5 mm). A standard socket for the popular mini-Jack plug (3.5 mm), used as a line output. This connector is mainly used to connect some models of active speakers, while two stereo channels are usually output through one mini-Jack (3.5 mm). Note that headphone outputs, which also use a mini-Jack, are considered separately - see the corresponding paragraph.

— Jack (6.35 mm). A larger analogue of the mini-Jack connector (3.5 mm) for outputting an analog stereo signal. The Jack output provides a more reliable and noise-free connection, making it ideal for professional applications. Effective protection against interference is possible with a balanced connection method. To save space, the 6.35 mm output can be combined with an XLR connector (see the corresponding paragraph). The disadvantage of this design is the impossibility of using both interfaces simultaneously. Jack line outputs (6.35 mm) adhere to the “one channel per connector” principle.

- XLR. A round three-pin connector for outputting a line-level analog audio si...gnal, often with a balanced connection type. Transmission is carried out over three wires instead of two, and during it the noise induced on the wire is eliminated. This allows the use of fairly long cables without compromising the “purity” of the signal, making this type of connection excellent for professional audio equipment. XLR is also considered a professional interface, both due to the ability to work with a balanced signal and due to increased reliability: such connectors are often equipped with locks to secure the plugs.

- RCA. Analog linear audio output using RCA connectors - so-called “tulips” (due to the characteristic shape of the plugs). The standard output of this type consists of two connectors - for the left and right stereo channels. Also note that RCA connectors can be used in other output interfaces, but they have their own names.

The presence of a specialized processor in the device, which is used to process the audio signal in digital form. DSP processors are built into some audio interfaces to perform various audio processing operations in real time. This feature allows you to instantly apply various effects and audio processing without having to send a signal to your computer and back. This can be useful, for example, when streaming, where delays are extremely undesirable.

The Loopback function allows you to combine the signal from connected microphones, instruments and other line-level sources with background music, audio tracks and other sounds played on the connected equipment (usually a computer). Loopback will come in handy when recording virtual instruments, podcasts, streaming, etc.

The software included with your audio interface may vary depending on the make and model. The vast majority of it is represented by drivers, utilities for managing the device, software for recording and editing sound, virtual instruments or effects, and all kinds of plugins. It is advisable to clarify separately which specific software components are included in the audio interface package.

Power supply methods provided in the device. There are models that combine combined power supply methods - for example, from the mains and USB. For more details, see individual help items.

— From the network. Powered by a regular household power supply of 230 V. Stationary audio equipment uses only this method of power supply, but in compact devices it can be combined with a USB connection, battery power, or the presence of a battery.

- USB. Powered by the same USB connector that connects the device to external equipment. This power supply method allows you to do without unnecessary wires and work independently of sockets, but its power is low, so this option is used only in compact devices. Some models combine USB power with a built-in battery or supplement mains power, providing a backup option in case there are no outlets.

— Battery. The presence of a built-in battery allows the device to operate independently of any external energy sources, however, the period of such operation is limited - at some point you will still have to take a break to charge the battery. In its pure form, this type of power supply is extremely rare - much more often the rechargeable battery is provided as a “backup option” that supplements power from the network or USB (see the corresponding paragraphs).

— Batteries....Powered by replaceable elements of a standard size - for example, “finger-type” AA. Note that among such elements there are both disposable batteries and rechargeable batteries. This gives the user a choice: regularly purchase fresh elements or spend money once on batteries and a “charger” for them. However, in any case, power from batteries is associated with additional costs - such power supplies are usually not included in the kit and have to be purchased separately. This option is found mainly among portable models.

The presence of an external power supply in the device, which is located outside the case. This design feature is designed to reduce the amount of interference that affects the electronic components of the device and can distort the sound. Also, due to the external power supply, the device becomes more compact and lightweight.