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Comparison Fujifilm X-T3 body vs Fujifilm X-T2 body

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Fujifilm X-T3  body
Fujifilm X-T2  body
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User reviews
Main
Wide dynamic range of the image. Separate shutter, ISO and ISO controls. High rate of fire in sequential shooting mode. Swivel screen with touch control. High resolution OLED viewfinder.
Advanced tracking autofocus. 4K video recording. Confident work at high ISO. Rotary display. Dual slot for memory cards. Dust and water protection.
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
Sensor
Sensor
CMOS (CMOS) /eXR Processor IV/
CMOS (CMOS) /eXR Processor III/
Sensor sizeAPS-C (23x15.5 mm)APS-C (23x15.5 mm)
Effective MP number2624
Maximum image size6240x4160 px6000x4000 px
Light sensitivity (ISO)80 - 51200100 - 51200
RAW format recording
Lens
Mount (bayonet)Fujifilm XFujifilm X
Manual focus
Image stabilizationis absentis absent
Photo shooting
HDR
2 control dials
 /+ optional/
 /+ optional/
White balance measuring
Exposure compensation± 5 EV, in 1/3 EV steps± 5 EV, in 1/3 EV steps
Auto bracketing
 /± 5 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
 /± 5 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 120 fps1920x1080 px 60 fps
Ultra HD (4K)4096x2160 px 60 fps3840x2160 px 30 fps
File recording formats
MPEG-4 /H.264/
MPEG-4 /H.264/
Manual video focus
Connection ports
HDMI v 1.4
headphone Jack
microphone Jack
HDMI v 1.4
 
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points425 шт325 шт
Touch focus
Contour enhancement?
Viewfinder and shutter
Viewfinder
electronic /236K pixels/
electronic /236K pixels/
Viewfinder crop0.75 x0.77 x
Frame coverage100 %100 %
Shutter speed
30 - 1/8000 sec /there is a transition mode to the electronic viewfinder (up to 1/32000)/
30 - 1/8000 sec /there is a transition mode to the electronic viewfinder (up to 1/32000)/
Continuous shooting20 fps14 fps
Shutter typeelectronic/mechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Memory and communications
2 card slots
Memory cards types
SD, SDHC, SDXC /UHS II/
SD, SDHC, SDXC /UHS II/
Communications
Wi-Fi
Bluetooth
smartphone control
Wi-Fi
 
smartphone control
Flash
Built-in flash
External flash connect
Power source
Power source
battery
battery
Battery modelNP-W126, NP-W126SNP-W126, NP-W126S
Shots per charge390 шт340 шт
General
Charger modelBC-W126BC-W126
Materialmagnesium alloymagnesium alloy
Retrodesign
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)133х93х59 mm133х92х49 mm
Weight539 g
Color
Added to E-Catalogdecember 2018july 2016

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Ultra HD (4K)

The maximum resolution and frame rate of video captured by the camera in the Ultra HD (4K) standard.

UHD 4K refers to resolutions with a frame size of approximately 4,000 horizontal pixels. Specifically, in cameras for video shooting, resolutions of 3840x2160 and 4096x2160 are most often used. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Connection ports

— USB C. A universal USB interface that uses a Type C connector. USB ports themselves (all types) are used mainly for connecting the camera to a computer for copying footage, managing settings, updating firmware, etc. Specifically The Type C connector is comparable in size to earlier miniUSB and microUSB, but has a reversible design that allows the plug to be inserted in either direction. In addition, USB C often operates according to the USB 3.1 standard, which allows for connection speeds of up to 10 Gbps - a useful feature when copying large amounts of content.

- HDMI. A comprehensive digital interface that allows you to transmit video (including high resolution) and audio (up to multi-channel) over a single cable. The presence of such a port makes it possible to use the camera as a player: it can be directly connected to a TV, monitor, projector, etc. and view your footage on the big screen. In this case, broadcast capabilities can include not only video playback, but also demonstration of captured photos in slide show mode. HDMI inputs are present in most modern video equipment, and connection is usually not a problem.
Nowadays, there are several versions of the HDMI interface on the market:
  • v 1.4. The oldest version currently relevant, released in 2009. However, it supports 3D video, is capable of working with resolutions up to 4096x2160 at a speed of 24 fps, and in Full HD resolution the frame rate can reach...120 fps. In addition to the original v.1.4, there are also improved modifications - v.1.4a and v.1.4b; they are similar in basic capabilities, in both cases the improvements affected mainly work with 3D content.
  • v2.0. Significant HDMI update introduced in 2013. In this version, the maximum frame rate in 4K has increased to 60 fps, and support for ultra-wide 21:9 format can also be mentioned. In update v.2.0a, HDR support was added to the interface capabilities; in v.2.0b this function was improved and expanded.
  • v 2.1. Despite the similarity in name to v.2.0, this version, released in 2017, was a very large-scale update. In particular, it added support for 8K and even 10 K at speeds up to 120 fps, and also further expanded the capabilities for working with HDR. This version was released with its own cable - HDMI Ultra High Speed; all features of v.2.1 are available only when using cables of this standard, although basic functions can be used with simpler cords.


— Headphone output. Audio output allows you to connect headphones to the camera. As a rule, it is represented by a classic 3.5 mm mini-jack. The presence of such a connector provides the ability to monitor sound during video recording in real time. This is especially important when filming interviews, vlogs and other similar projects.

— Microphone input. Specialized input for connecting an external microphone to the camera. External microphones are significantly superior to built-in microphones in sound quality. Firstly, they are not so sensitive to the camera’s “own” sounds - from buttons, control wheels, focus motors, etc. (and if the microphone uses a long wire and is not attached to the body, these sounds will not be heard at all). Secondly, external microphones themselves have more advanced characteristics. On the other hand, their use is justified mainly for professional video recording; therefore, the presence of a microphone input, as a rule, corresponds to advanced video recording capabilities

Focus points

The number of focus points (autofocus) provided in the design of the camera.

The focus point is the point (more precisely, a small area) in the frame from which the autofocus system reads data for focusing. The simplest systems work with a single point, but their capabilities are very limited, and this option is practically not found today. Modern digital cameras have at least three focus sensors, and in the most advanced models this figure can reach several dozen.

The more autofocus sensors there are in the camera, the more advanced its autofocus capabilities will be, the more specific techniques it allows you to use. In this case, the selection of specific points used can be carried out both automatically, simultaneously with the choice of the subject program, and manually (however, the second option is more typical for professional cameras). In addition, the abundance of focus points has a positive effect on the quality of the tracking autofocus (see "Autofocus Modes").

In general, more focus sensors are generally considered a sign of a more advanced camera; however, differences in quality become really noticeable only if the difference in the number of points is significant - for example, if we compare models with 9 and 39 points. A lot also depends on the location of the points in the frame - it is believed that sensors distributed over a wide area work better than densely located in the center of the frame, even if their number is the same.

Touch focus

The presence of the touch focus function in the design of the camera.

Such focus is necessarily combined with a touch screen (see below). It gives the photographer the opportunity to independently choose a point for focus in the frame being shot: for this, it is enough to touch this point on the image displayed on the screen. Touch focus is extremely simple and intuitive, and therefore very convenient, especially for beginners and non-professional users.

Contour enhancement

The presence of the function of strengthening the contours in the design of the camera.

This feature applies to manual focus and is only available with electronic or optoelectronic viewfinders, and in Live View mode (see below). It consists in highlighting the contours of those objects that are currently in focus with colour. Thanks to this, the photographer can easily determine the location and boundaries of the area in focus, which greatly simplifies manual focus.
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