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Comparison Focusrite Scarlett 2i2 3rd Gen vs Audient iD14

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Focusrite Scarlett 2i2 3rd Gen
Audient iD14
Focusrite Scarlett 2i2 3rd GenAudient iD14
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Main
Mic preamps with Air technology to emulate lighter and more spacious mic preamps. Support for USB Type C. The operation of the input connectors in three modes — linear, microphone and instrument.
Form factordesktopdesktop
Number of channels
2 in
2 out
10 in /10: 2 analog, 8 digital/
4 out
ConnectionUSB 2.0 type CUSB 2.0 type B
DAC
24 bit
192 kHz
24 bit
96 kHz
Frequency range20 – 20000 Hz
Preamplifier2 pcs
2 pcs /Audient Console/
Inputs
Total Jack / XLR audio inputs
Combo XLR 2 pcs
Combo XLR 1 pc and Jack 1 pc
MicrophoneCombo XLR 2 pcsCombo XLR 2 pcs
InstrumentCombo XLR 2 pcs
Jack x1 /JFET/
LineCombo XLR 2 pcsCombo XLR 2 pcs
OpticalS/PDIF and ADAT x1
Word Clock in1
Outputs
Total Jack/XLR audio outputs
Jack x3
Jack x3
LineJack x2Jack x2
To monitorsJack x2
HeadphonesJack x1Jack x1
Features
Phantom power
ASIO
DSP processor
high Pass Filter (HPF)
Phase adjustment
Front headphone output
Headphone level adjustment
Software included
Ableton Live Lite, 3 months Pro Tools Artist and Avid Complete Plugin Bundle, Hitmaker /3 months Splice subscription/
Cubase LE, Cubasis LE, ARC
General
ОСWindows / macOSWindows / macOS / iOS / iPadOS
Power supplyUSBmains powered
External power supply
Dimensions (WxDxH)175x99x48 mm173x120x61.1 mm
Weight0.47 kg
Color
Added to E-Catalogjuly 2019august 2023

Number of channels

The number of input and output channels that the audio interface is equipped with. See below for more details on each type.

— Input channels. Input (in) channels on audio interfaces designate the number of different audio signals a device can accept for recording overnight. Their number plays a decisive role in multi-channel sound recording, connecting several instruments or vocals at the same time. When choosing an audio interface, consider not only the number of input channels, but also the types of connectors (see “Inputs”).

— Output channels. Output channels output (out) is the number of audio signals that can be sent to other devices or equipment for playback. The outputs of the audio interface can be used to connect to amplifiers, monitors, speaker systems, headphones, etc. A large number of output channels will come in handy when creating sound mixes, multi-channel recording or multitasking in a studio environment. For simpler tasks, it is enough to have from 2 to 4 output channels. When choosing an audio interface, consider not only the number of output channels, but also the types of connectors (see “Outputs”).

Connection

Connection interfaces that the audio interface is equipped with.

- USB A. Connection via standard USB port. Until recently, this was the most popular interface for external peripherals, found in almost all PCs and laptops. Nowadays, it is often replaced by a USB type C port (see the corresponding paragraph). Most USB A audio interfaces draw power directly from the PC or other host device.

- USB type B. The connector has a characteristic square shape, noticeably different from the well-known rectangular USB A ports. In audio interfaces, it is used to transmit signals from external sources to a computer for recording and processing.

- USB type C. A peripheral connector with a symmetrical contact group, which often replaces full-size USB ports on board modern PCs and laptops. Many new models of audio interfaces are being made for this interface. An exception to the rule is individual instances for Thunderbolt. For them, it is Thunderbolt that is indicated, and not USB type C.

- Thunderbolt v2. Initially, Thunderbolt is a universal connector used primarily in Apple computer equipment. On board audio interfaces it is used as a general peripheral connector (similar to USB). This uses the miniDisplayPort hardware port. The data transfer speed in this version reaches 20 Gbit/s. Recently, the v2 edition...has been replaced by the Thunderbolt v3 version (see the corresponding paragraph).

- Thunderbolt v3. A universal interface that is found mainly in Apple technology. In audio interfaces it is used as a general peripheral connector (similar to USB). Specifically, Thunderbolt v3 provides data transfer speeds of up to 40 Gbps and uses a USB type C hardware connector (as opposed to earlier versions based on miniDisplayPort).

- Lightning. A connector used exclusively in Apple portable electronics (since 2012). Accordingly, audio interfaces with such a port are aimed at ease of connection to iPhones and iPads. Note that today there has been a transition from proprietary Lightning to the common USB type C - the latest generations of Apple gadgets are produced with just such a peripheral connection connector.

- mini-USB. A smaller version of the full-size USB interface, created for portable equipment. It is found very rarely in audio interfaces.

- FireWire. Universal connector, also known as IEEE 1394 or i-Link. In terms of functionality, it is analogous to USB, and in some characteristics it even surpasses it. However, FireWare is much less common. Used to connect to computers and some types of specialized audio equipment.

Dante Dante connectors are used to connect audio interfaces to a network to transmit audio digitally. In this case, a standard Ethernet port (RJ-45) is used for physical access to the network.

DAC

Characteristics of the built-in DAC - a digital-to-analog converter for converting digital audio into line-level analog audio, usually in stereo format.

— Bit depth. Bit size of the digital-to-analog converter (DAC) used in the device. In this case, the meaning of this parameter is as follows: the bit depth of the DAC must be no lower than the bit depth of the audio signal with which the converter is planned to be used, otherwise the device will not be able to effectively cope with the conversion. As for specific values, the standard options in modern audio interfaces are 16 bit, 24 bit and 32 bit.

- Sampling frequency. The sampling rate of the digital-to-analog converter (DAC) installed in the audio interface. Let us recall that such a converter is responsible for converting digital audio into an analog audio signal. The paragraph usually indicates the maximum value of the sampling frequency, for which one of the standard values corresponding to a certain sound quality is used ( 48 kHz, 96 kHz, 192 kHz).

Frequency range

The audio frequency range supported by the device. Most often we are talking about the range of frequencies that a device can produce in an analog audio output signal.

In general, the wider the frequency range, the fuller the sound, the lower the likelihood that the audio interface will “cut off” the upper or lower frequencies. However, it must be taken into account that the human ear is capable of hearing sounds at frequencies from 16 to 22,000 Hz, and the upper limit decreases with age. So from a practical point of view, it makes no sense to provide a wider range in audio technology. And the impressive numbers found in high-end devices are rather a “side effect” of advanced electronic circuits and are given in the specifications mainly for advertising purposes. Also remember that the overall sound quality is affected by many other factors besides frequency range.

Total Jack / XLR audio inputs

— Total audio inputs Jack / XLR. The total number of analog audio inputs such as Jack (6.35 mm) and/or XLR (this interface can be combined with a “jack”). Note that such connectors can play the role of both a line input and a microphone or instrument input. For more details, see the relevant paragraphs.

— mini-Jack. The standard 3.5 mm mini-Jack is usually used in audio interfaces as an analog (line) input for two stereo channels, as well as as a microphone audio input (see the corresponding paragraphs).

Instrument

Connectors used to connect musical instruments (acoustic or bass guitars, keyboards, etc.). Most often they are made in the form of 6.35 mm Jack format sockets, but there are other options (see below). The audio signal from pickups has its own specific characteristics, so the instrument input typically features a higher input level and special impedance matching to ensure optimal sound quality.

Jack (6.35 mm). Jack sockets (6.35 mm) are most widely used as instrument audio input. They are very large in size, thereby ensuring tighter contact, and support a balanced connection (for transmitting a high-quality signal without interference over fairly long wires). The number of Jack connectors (6.5 mm) usually corresponds to the number of tools that can be simultaneously connected to the device.

- XLR. A characteristic round connector, often combined with a Jack interface (6.5 mm). XLR is equipped with a locking lock and three contacts (there are other options in terms of quantity, but they are practically not found). The connector is used to transmit an analog signal through a balanced connection, which provides high immunity to interference - sufficient for professional use.

Optical

Input for digital audio signal transmitted via TOSLINK fiber optic cable. The optical interface has the same capabilities as the coaxial input (see the corresponding paragraph) - in particular, it allows you to transmit multi-channel audio. The key difference and main advantage of this connection is its complete insensitivity to electromagnetic interference. On the other hand, fiber optic cable is quite fragile and sensitive to damage - it must be protected from strong pressure and kinks.

Word Clock in

Special Word Clock In input, used for external synchronization of the audio interface with other digital devices that support this function. A Word Clock is a signal at a specific sampling rate, consisting of a series of pulses, generated by one of the devices in the system to ensure that it operates in a consistent manner. The signal provides precise synchronization to prevent timing variations and ensure stable and accurate transmission of audio data between devices. Word Clock is transmitted over a digital coaxial cable.

To monitors

Output connectors for connecting monitor speakers or headphones. Connecting monitors to the output of an audio interface allows musicians, sound designers, or sound engineers to monitor audio quality in real time. In audio interfaces, monitor outputs can be made in various formats, but most often there are various combinations of RCA, XLR and Jack connectors (6.35 mm), less often - the classic mini-Jack (3.5 mm).
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