Nikon 10-20mm f/4.5-5.6G VR AF-P DX Nikkor
![]() | 12 541 ₴ Buy! ![]() Ширококутний об'єктив Nikon AF-P DX Nikkor 10-20mm f/4,5-5,6G VR (JAA832DA)Justbuy.com.ua2 year with us (Kyiv) Warranty: 12 month from store Report |
Nikon 10-20mm f/4.5-5.6G VR AF-P DX Nikkor | |||||||||||||||||||||||||||||||||||||
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Ultra-wide for cropped Nikon DSLRs (with an APS-C format matrix), and even with an optical image stabilizer on board, unusual for this class of lenses. The stub brightens up with its presence a low floating f / 4.5-5.6 aperture, at the same time allowing you to win up to 3.5 stops of exposure when shooting handheld in low light conditions. The stabilization system is accompanied by the newfangled AF-P stepper autofocus drive, which has been installed in Nikon lenses since 2016. Translated into the equivalent of a full frame Nikon 10-20mm f / 4.5-5.6G VR AF-P DX Nikkor shoots in the range of 15- 30 mm. For focus, it is enough for the lens to be at a distance of only 22 cm from the subject of shooting. Relatively compact (77x73 mm) and moderately light (230 g) ultra-wide also supports the installation of filters with a thread diameter of 72 mm.
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Acquired mainly for interior shooting. This is an ultra wide-angle lens with a reliable stabilizer and a fast AF-P motor. Case material - plastic. The mount is also made of plastic, so it needs to be removed and put on carefully. When focusing, the front lens does not rotate, which makes it possible to use polarizing and gradient filters. The lens uses a new AF-P motor that is faster and quieter than previous AF-S motors. But since AF-P is a new technology, it will only work on cameras released after 2013. On older cameras (for example, Nikon D7000), even manual focus does not work. But on the new cameras, everything works exceptionally: AF-P focuses accurately, almost instantly and silently. Like any wide-angle lens, it has a pronounced distortion. Straight lines turn into curves. Shelves in the frame are significantly curved due to barrel distortion. Therefore, you need to use the distortion correction in Adobe Lightroom or Camera RAW. In general, I liked the lens, but this is only the first impression, and then time will tell. Wide viewing angle, compact, effective image stabilizer, subtle vignetting Does not support old cameras, plastic mount ![]() |
The lot of wide-angle optics is to shove the impenetrable into the frame, which Nikon's affordable ultra-wide with a set of focal lengths of 10-20 mm handles with with a bang.
See everything!
On a cropped sensor , the zoom focal length looks the same as 15-30mm in full frame equivalent. With such data, the lens is well suited for shooting architecture, interiors and landscapes. Moreover, the lens costs adequate money, and its weight is almost five times less than that of a relative close in capabilities — a fabulously expensive kilogram width for Nikon AF-S Nikkor 14-24mm f / 2.8G ED fullframes. For the sake of lightness and cheapness, the lens is entirely made of plastic, including this is the bayonet mount.
Smooth autofocus
The full potential of the model is revealed in conjunction with Nikon APS-C SLR cameras of the latest generations: Nikon D3500, Nikon D5600, Nikon D7500 and others like them. But the lens will not make friends with older DSLRs, which is to blame for the autofocus stepper motor with new control algorithms (AF-P). Its forces provide lightning-fast and silent focus, which is especially appreciated among beginner videographers.
The nature of the drawing
The Nikon AF-P DX Nikkor 10-20mm f/4.5-5.6G VR delivers sharp, detailed images with minimal vignetting across the entire zoom range and negligible line distortion. Barrel-shaped distortion, as an integral attribute of wide-angle optics, manifests itself weakly here and is easily corrected in-camera or at the stage of post-processing of the footage in a photo editor.
Unusual stub
The low floating aperture (f / 4.5-5.6) slightly smooths out the positive impression of the model. However, as compensation for its modest values, an optical stub was kindly provided to help the amateur photographer, which helps to win up to 3.5 exposure steps when shooting handheld at the maximum zoom position. And this is another weighty argument in favor of the lens, because the stabilization system on board the "all-seeing" optics occurs about once every ten copies of the width.