Tamron 16-300mm f/3.5-6.3 VC PZD Di II Macro
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Tamron 16-300mm f/3.5-6.3 VC PZD Di II Macro | |||||||||||||||||||||||||||||||||||||
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I've been using this lens for over two years now. Fixes 50mm and 35mm are also included. But 16-300mm, of course, is very convenient and simply necessary as a travel zoom. As for me, until now, no manufacturer has such sweeping glass as this. And 16mm, I think many amateur photographers were waiting for. It is very sharp at aperture 6.3-8.0 across the entire field, moreover. Autofocus is just very fast and quiet. At fr 120-150mm, sharp portraits with a good background are obtained. Macro is great too. Color rendition is perfect. I always look at photos on a 42" monitor. There are no obvious artifacts. It is especially good for a walk or in nature. Almost all visible scenes can be snatched from one point. To say that he is good would be an understatement! Not afraid of backlight. This is a real travel zoom for every day, the most modern and very compact. Like fixes, you need to have it in order to be free in choosing a plot. It is difficult to shoot handheld at 300mm. .need either a good emphasis or a tripod. You don’t always want to drag a tripod. The rest is not essential and can be processed. use Tamron 16-300mm f/3.5-6.3 VC PZD Di II Macro more than year |
very good lens. not light, but portraits at 100mm turn out great. it’s especially good that there is 16mm - just a godsend. I always missed it, I think that many, too. Everything else is also at a high level. True, after 200-250mm it lathers a little, but the shots at such a focal length are simply unique. and their dignity is not sharpness at all, but a unique moment that could be missed. for example with a good fix! Not afraid of backlight. The trunk does not fall out. Very good water protection on the bayonet. Decent macro with 39cm.... The assembly is good and the size is like a regular whale (105th). very popular focal lengths i want more aperture (2.8) |
I've been using it for over a year. At first I worked with him on the D5100, and then switched to the D7100. The difference in photo quality is noticeable at all focal lengths. Thus, it turns out that it resolves well modern multi-pixel (24MP) matrices. This is a very big plus. After 250mm, it lathers a little around the edges, but not critical, others are much worse. The picture is very beautiful. The color rendition is simply amazing. Manual adjustment of sharpness is very convenient - without any switching on the lens! In back and side light, it works perfectly - I almost never shoot with a lens hood, and it's convenient! Macro, by the way, also comes out of decent quality, and even a small crop makes it generally competitive, fortunately, the d7100 resolution is just the way here. The most modern wagon. I can compare with the previous model 18-105mm. and 18-270mm. At focal lengths of 50-100mm, it is in fact much lighter! It's just a very big difference. Because here both quality and sharpness and focal and assembly and weight-size, everything is much cooler - he is the favorite. Everything is very harmonious and comfortable. And it seems to me that he will not soon have a worthy competitor on the crop. not significant. e.g. no string use Tamron 16-300mm f/3.5-6.3 VC PZD Di II Macro more than year |
The brainchild of the Japanese company Tamron belongs to the category of universal lenses that are equally good at shooting both at wide angle and at telephoto. For a long time, the model retained the palm among all representatives of the reflex optics squad in terms of zoom ratio (18.75x), however, in 2017, this record was beaten by the Tamron 18-400mm f / 3.5-6.3 Di II VC HLD.
Uniqueness
With such a huge set of focal lengths, the lens produces a good picture, which is certainly ahead of many whale lenses in quality. Actually, the zoom is intended to serve as a universal replacement for them. Adding to the uniqueness of the model is an extra 2mm of focal length at the wide end (16mm compared to 18mm on most rivals), making it possible to capture much more in the frame.
Drawing features
When shooting at wide angle, strong vignetting appears in the image, while in the range of focal lengths from 200 to 300 mm, the picture can be spoiled by visible chromatic aberrations. Both parasitic effects can be overcome at the stage of post-processing of the footage or by means of an in-camera XA correction system — they do not provide a special negative impact on the final result.
Optical stub
The compact body of the Tamron 16-300mm f/3.5-5.6 Di II VC PZD Macro fits not only a piezo-ultrasonic autofocus drive (medium focus speed), but also an effective image stabilizer that allows you to take photos with a gain of up to 4 exposure levels. You can count on an acceptable result when shooting with the maximum zoom ratio even at shutter speeds of the order of 1/20-1/30 s. There is no stub only on board the Sony A-mount version, which is due to the design features of Sony DSLRs and their equipment with a matrix image stabilization system.
Universal Soldier
The lens produces the clearest picture at f / 8-11 aperture values. In the rest of the range, images tend to have soft edges. When zooming, the “trunk” extends at the lens, but the overall dimensions of the zoom still remain very compact. Tamron 16-300mm f / 3.5-5.6 Di II VC PZD Macro is compatible with most common mirror mounts (except, perhaps, Pentax K) and is able to replace a whole fleet of optics with one itself for a wide variety of purposes — from shooting architecture to taking pictures from long distances .
