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Sony 24-70mm f/2.8 ZA A SSM Vario-Sonnar T* (SAL-2470Z)

Photos - Camera Lens Sony 24-70mm f/2.8 ZA A SSM Vario-Sonnar T*
Sony 24-70mm f/2.8 ZA A SSM Vario-Sonnar T*
System
Minolta
Sony
Mount
Sony A
Focal length
24 - 70 mm / 36 – 105 mm with APS-C sensor /
Aperture value
f/2.8
Viewing angles
61-23°
Min. diaphragm
22
Minimum focus distance
0.34 m
Maximum zoom
0.25
Sensor size
full frame/APS-C
Autofocus drive
ultrasonic drive motor
Internal focus
Design (elements/groups)
17 elements in 13 groups
Number of diaphragm blades
7
Filter diameter
77 mm
Dimensions (diameter/length)
83х111 mm
Weight
955 g
Added to E-Catalog
april 2008
P/N
SAL-2470Z

. A universal lens for Minolta and Sony systems with full frame matrices and A mounts. In terms of focal length range, it belongs to the middle class — 24-70 mm, while aperture is unchanged at f / 2.8. Autofocus is provided by an ultrasonic motor. Aperture — 7-blade, with a minimum value of 22.

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Buy Sony 24-70mm f/2.8 ZA A SSM Vario-Sonnar T*

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Об'єктив для фотоапарата Sony SAL2470ZA 24-70mm f/2.8 Vario-Sonnar T * Ssm

Тип об'єктива: стандартний / Байонет: Sony A / Діаметр різьби для світлофільтру: 77 мм
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Объектив для фотоаппарата Sony SAL2470ZA 24-70mm f/2.8 Vario-Sonnar T* Ssm

Тип объектива: стандартный / Байонет: Sony A / Диаметр резьбы для светофильтра: 77 мм
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Об'єктив Sony 24-70mm f/2.8 SSM Carl Zeiss II DSLR/SLT (SAL2470Z2.SYX) SAL

Sony, Sony A-mount, без стабілізації зображення, ручна, автоматична, ультразвуковий привід, 0.34, 24, 70, постійна, Мінімальн... moreа діафрагма - f/22, Максимальна діафрагма - f/2.8, 77
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Sony Об'єктив Sony 24-70mm f/2.8 SSM Carl Zeiss II DSLR/SLT (SAL2470Z2.SYX

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9
A worthwhile purchase, a must-buy with full frame cameras
  
I shot with this lens on the A850, now I switched to the A99. Alas, I did not receive such a picture either from Sony lenses or from Minolta, although there were good photos with the "Old Man", but a bit of course not a Zeiss Sony. I was pleased with the sharpness in the open and some kind of unique picture, airy, beautifully traced with clear details and rich colors. I caught myself on the fact that I began to edit less in the lightroom with this glass, and this is for the better. I disagree with those who say that for a professional, the main thing is not the lens, but the technique. This is not entirely true. A professional will simply squeeze the maximum out of an average glass, and with this lens it is easier for a non-professional to shoot, so the percentage of really good shots has increased. It is also pleasing that you can sharpen in any direction manually after focusing. A very convenient option that has gone into oblivion on the E series of lenses. The lens, due to its versatility, covers most of the needs and, due to its picture, completely replaces several of the most popular fixes in its range (subjectively)
- Sharp at all apertures
- Excellent color reproduction
- Some kind of indescribable "Zeissian" picture or something
- In principle, the price, but I took it on the secondary, it seems to be not bad
- Native filters are expensive
use Sony 24-70mm f/2.8 ZA A SSM Vario-Sonnar T* few months
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